1,315
Views
0
CrossRef citations to date
0
Altmetric
Articles

Using film to interpret a sense of place: a practice-based case study

ORCID Icon
Pages 380-392 | Received 02 Mar 2023, Accepted 27 May 2023, Published online: 19 Jul 2023

References

  • Alasuutari, M., and P. Alasuutari. 2009. “Narration and Ritual Formation of Diasporic Indetity: The Case of Second Generation Karelian Evacuees.” Identities 16 (3): 321–341. doi:10.1080/10702890902861321
  • Allen, B. 1990. “Regional Studies in American Folklore Scholarship.” In Sense of Place: American Regional Cultures, edited by B. Allen, and T. J. Schlereth, 1–13. Lexington: University Press of Kentucky.
  • Ames, E. 2009. “Herzog, Landscape, and Documentary.” Cinema Journal 48 (2): 49–69. Available at: http://www.jstor.org/stable/20484448 (February 23, 2023). doi:10.1353/cj.0.0080
  • Ball-Rokeach, S. J., Y.-C. Kim, and S. Matei. 2001. “Storytelling Neighborhood: Paths to Belonging in Diverse Urban Environments.” Communication Research 28 (4): 392–428. doi:10.1177/009365001028004003
  • Bautista, S. S. 2013. Museums in the Digital Age: Changing Meanings of Place, Community, and Culture, AltaMira Press, California. Available from: ProQuest Ebook Central. (May 27, 2023).
  • Beeton, S. 2008. “From the Screen to the Field: The Influence of Film on Tourism and Recreation.” Tourism Recreation Research 33 (1): 39–47. doi:10.1080/02508281.2008.11081288
  • Beeton, S. 2010. Landscapes as Characters: Film, Tourism and a Sense of Place. Metro, Special Feature Section on Landscape and Location in Australian Cinema, No.166.
  • Bordwell, D., K. Thompson, and J. Smith. 2019. Film Art: An Introduction, 12e. 12th ed. New York: McGraw-Hill Education.
  • Casey, E. 1996. “How to Get from Space to Place in a Fairly Short Stretch of Time: Phenomenological Prolegomena.” In Senses of Place, edited by Steven Feld, and Keith H. Basso, 23–52. Santa Fe, NM: School of American Research Press.
  • Ciolfi, L. 2021. “Hybrid Interactions in Museums: Why Materiality Still Matters.” In Virtual Heritage, A Guide, edited by E. Champion, 67–79. London: Ubiquity Press.
  • Creeber, G. 2015. “Killing us Softly: Killing us Softly: Investigating the Aesthetics, Philosophy and Influence of Nordic Noir Television.” The Journal of Popular Television 3 (1): 21–35. April 1, 2015. doi:10.1386/jptv.3.1.21_1
  • Cronin, P., ed. 2002. Herzog on Herzog. London: Faber and Faber.
  • Daniels, J. 2019. Memory, Place and Autobiography: Experiments in Documentary Filmmaking. Cambridge: Cambridge Scholars Publishing.
  • De Rosa, M., and C. Fowler. 2022. “Making Conjunctions: Thinking Topologically with Contemporary Artists’ Moving Images.” Screen 62 (4): 512–532. doi:10.1093/screen/hjab048
  • Devine, K. 2017. “Sense of Place: The Phenomenology of Virtual Heritage Place.” 21st international conference information visualisation (IV), London, UK, 2017. pp. 332–335, doi:10.1109/iV.2017.22.
  • Dextra Visual. n.d. Elwoe Castle: Mid 19th Century and Present Day. Available at: https://www.dextravisual.com/video.
  • Falkheimer, J., and A. Jansson. 2006. Geographies of Communication: The Spatial Turn in Media Studies. Goteborg: Nordicom.
  • Finocchiaro. 2014. “Sergei Eisenstein and the Music of Landscape: The Mists of Potemkin Between Metaphor and Illustration.” In The Sounds of Silent Films. New Perspectives on History, Theory and Practice, edited by C. Tieber, and A. K. Windisch, 172–191. Basingstoke: Palgrave Macmillan. 2014.
  • Försti, J. 2020. Järviseudun ensimmäiset talonpojat. Available at: https://www.talonpoikainelamaa.fi/elokuvat/jarviseudun-ensimmaiset-talonpojat.
  • Gordon, Eric, and Adriana de Souza e Silva. 2011. Net Locality: Why Location Matters in a Networked World. Chichester, Hoboken: John Wiley & Sons, Incorporated. ProQuest Ebook Central. Available at: https://ebookcentral.proquest.com/lib/coventry/detail.action?docID=693780 (Accessed July 10, 2023).
  • Hansen, K. T., and A. M. Waade. 2017. Locating Nordic Noir: From Beck to the Bridge. London: Palgrave Macmillan.
  • Heidegger, M. 1951. Building, Dwelling, Thinking. Trans. By Bobeck, A. [online] Available at: https://www.academia.edu/34279818/Building_Dwelling_Thinking_by_Martin_Heidegger_Translation_and_Commentary_by_Adam_Bobeck_ (Accessed September 3, 2021).
  • Herzog, W. 2005. Grizzly Man. Discovery Docs and Lionsgate Films.
  • Hinterland/Y Gwyll. 2013. S4C/BBC Wales. Fiction Factory Films.
  • Jones, R. M. 1992. “Beyond Identity? The Reconstruction of the Welsh.” Journal of British Studies 31 (4): 330–357. http://www.jstor.org/stable/175884. doi:10.1086/386014
  • Lefebvre, M. 2006. Landscape and Film. New York: Routledge.
  • Lindgren, S. 2017. Digital Media & Society. Los Angeles: SAGE.
  • London Charter for the computer-based visualisation of cultural heritage. 2006. Available: http://www.londoncharter.org/.
  • Lumière, L. 1895. Workers Leaving the Factory/La Sortie de l’Usine Lumière à Lyon.
  • Lumière, L. 1896. Arrival of a train at La Ciotat/l’Arrivee d’un train en gare de La Ciotat.
  • Malpas, J. 2008. “New Media, Cultural Heritage and Sense of Place: Mapping the Conceptual Ground.” International Journal of Heritage Studies 14 (3): 197–209. doi:10.1080/13527250801953652
  • Massey, D. 1991. A Global Sense of Place, in Marxism Today, p. 24–28.
  • Massey, D. 2005. For Space. London: Sage.
  • Meyrowitz, J. 2005. “The Rise of Glocality: New Sense of Place and Identity in the Global Village.” In A Sense of Place: The Global and the Local in Mobile Communication, edited by K. Nyiri, 21–30. Vienna: Passagen.
  • Musto, M. 2008. Karl Marx’s Grundrisse: Foundations of the Critique of Political Economy 150 Years Later. 1st ed. London: Routledge. doi:10.4324/9780203892107
  • National Trust. 2017. Places That Make Us: Research Report [online] Available at: https://nt.global.ssl.fastly.net/binaries/content/assets/website/national/pdf/places-that-make-us.pdf (February 23, 2023).
  • Nichols, B. 2001. Introduction to Documentary. Bloomington, Ind: Indiana University Press.
  • O’Neill, M. 2006. “Museums and Identity in Glasgow.” International Journal of Heritage Studies 12 (1): 29–48. doi:10.1080/13527250500384498
  • Özkul, D. 2014. “Location as a Sense of Place: Everyday Life, Mobile, and Spatial Practices in Urban Spaces.” In Mobility and Locative Media: Mobile Communication in Hybrid Spaces, edited by A. de Souza e Silva, and M. Sheller, 1st ed. 101–116. Routledge. doi:10.4324/9781315772226
  • Prager, B. 2010. “Landscape of the Mind: The Indifferent Part in Werner Herzog’s Films.” In Cinema and Landscape: Film, Nation and Cultural Geography, edited by G. Harper, and J. Rayner, 89–102. Bristol: Intellect Books Ltd.
  • Roberts, L. 2016. “Landscapes in the Frame: Exploring the Hinterlands of the British Procedural Drama.” New Review of Film and Television Studies 14 (3): 364–385. doi:10.1080/17400309.2016.1189712
  • Toadvine, T. 2019. Maurice Merleau-Ponty. The Stanford Encyclopedia of Philosophy [online]. Available at: https://plato.stanford.edu/archives/spr2019/entries/merleau-ponty. (Accessed February 15, 2021).
  • Tuan, Y. 2001. Space and Place: The Perspective of Experience. 8th ed. Minneapolis: University of Minnesota Press.
  • Turner, P., I. McGregor, S. Turner, and F. Carroll. 2003. “Evaluating Soundscapes as a Means of Creating a Sense of Place.” International conference on auditory display. Available at: https://www.icad.org/Proceedings/2003/TurnerMcGregor2003.pdf (Accessed March 7, 2021).
  • Uzzell, D. 1996. “Creating Place Identity Through Heritage Interpretation.” International Journal of Heritage Studies 1: 219–228. doi:10.1080/13527259608722151
  • Warf, B., and S. Arias. 2009. The Spatial Turn: Interdisciplinary Perspectives. London: Routledge.
  • Wellman, B., A. Quan-Haase, J. Boase, W. Chen, K. Hampton, I. Díaz, and K. Miyata. 2003. “The Social Affordances of the Internet for Networked Individualism.” Journal of Computer-Mediated Communication 8 (3): JCMC834, April 1, 2003. doi:10.1111/j.1083-6101.2003.tb00216.x.