122
Views
0
CrossRef citations to date
0
Altmetric
Research Articles

Systematic contextual review and evaluation of current scholarship on Iranian cinema

Pages 19-34 | Received 02 Jul 2022, Accepted 20 Jun 2023, Published online: 04 Jul 2023

References

  • Abdī, M. 1999. Naqd-i fīlm dar Īrān. Chāp-i 1. Tehran: Intishārāt-i Āgah′sāzān.
  • Afsahi, A. 2005. کارگردانان موج نو سینمای ایران . Tehran: Hamrah.
  • Akbari, M. 2003. 25سال سینمای ایران: کارگردانان. Tehran: Farabi.
  • Amini, A. 1991. صد فیلم تاریخ سینمای ایران. Tehran: Gisoom.
  • Atashi, L. 2020. “Remoulding of Ideology through Remediation: Axe and Deforestation as Gender Metaphors in an Animation and a Picture Book in Iran.” Hawwa. Brill, 1(aop), 1–23. https://doi.org/10.1163/15692086-BJA10003.
  • Atwood, B. 2016. Reform Cinema in Iran: Film and Political Change in the Islamic Republic.
  • Baharloo, A. 2018. عباس کیارستمی . 2nd ed. Tehran: Ghatreh.
  • Baharloo, A. and S. Moradi-koochi. 2004. دانشنامه سينماي ايران. Tehran: Ghatreh.
  • Bordwell, D., K. Thompson, and J. Smith. 2020. Film Art: An Introduction. 12th ed. New York, NY: McGraw-Hill Education.
  • Buckle, L. 2012. Contemporary Neorealist Principles in Abbas Kiarostami’s Filmmaking (1997–2005). Great Britain: University of Hertfordshire.
  • Coser, L. A. 2020. زندگی و اندیشه بزرگان جامعه شناسی . Edited by M. Salasi. Tehran: Elmi.
  • Dabashi, H. 2001. Close up: Iranian Cinema, Past, Present and Future. London: Verso.
  • Dabashi, H. 2002. Shirin Neshat. Milan: Charta: Art Books International.
  • Dabashi, H. 2008. “Makhmalbaf at Large.” In Makhmalbaf at Large, 39–68. London: I.B. Tauris.
  • Dabashi, H. 2010. Conversations with Mohsen Makhmalbaf. London: Seagull Books.
  • Decherney, P. 2018. Iranian Cinema in a Global Context: Policy, Politics, and Form. London: Routledge.
  • Démy-Geroe, A. 2020. Iranian National Cinema: The Interaction of Policy, Genre, Funding, and Reception.
  • Dönmez-Colin, G. 2004. Islam and Cinema. London: Reaktion Books.
  • Dorri-Akhavi, B. 2018. فیلم شناسی دفاع مقدس ۱۳۶۰- ۱۳۷۰. Tehran: Deputy of Propaganda and Publications of the Islamic Revolutionary Guard Corps.
  • Egan, E. 2005. Films of Makhmalbaf: Cinema, Politics and Culture in Iran. Washington, DC: Mage Publ.
  • Elena, A. 2005. The Cinema of Abbas Kiarostami. London: Saqi in association with Iran Heritage Foundation.
  • Emami, H. 2009. سینمای مردم‌شناختی ایران: نقدی بر قوم‌پژوهی در سینمای مستند ایران. Edited by A. Hasan zadeh. Tehran: Afkar.
  • Erfani, F. 2012. Iranian Cinema and Philosophy, Iranian Cinema and Philosophy. https://doi.org/10.1057/9781137012920.
  • Esfandiary, S. 2012. Iranian Cinema & Globalization. Bristol: Intellect, Bristol.
  • Esmaeili, A. 1990. فرهنگ سینمایی: سینمای ایران از تولد تا بلوغ سیری در60 سال حیات سینمای ایران. Gilan: Amiresmaeili.
  • Esmaeili, A. 2001. تاریخ سینمای ایران . Tehran: Gostareh.
  • Faghfouri, G. 2019. سرگذشت سینما در ایران. Tehran: Ofogh.
  • Farajpour, A. 2001. بررسی تحلیلی سینمای سیاسی در ایران. Tehran: Namjou-fard.
  • Ghokasian, Z. 1995. فیلمهای برگزیده سینمای ایران در دهه 60 . Tehran: Agah.
  • Ghorbankarimi, M. 2012. A Colourful Presence: An Analysis of the Evolution in the Representation of Women in Iranian Cinema Since the 1990s. Edinburgh: Cambridge Scholars Publishing.
  • Ghorbankarimi, M. 2021. ReFocus: The Films of Rakhshan Banietemad. Edinburgh: Edinburgh University Press.
  • Holman, R., M. Langford, and R. Holman. 2014. “Iranian Women’s Cinema: Recovering Voice, Reclaiming Authority.” University of New South Wales. Arts and Media (August). Sydney.
  • Honarpisheh, F. 2015. “Fragmented Allegories of National Authenticity: Art and Politics of the Iranian New Wave Cinema, 1960–79 – Chapter Two – Ethnographic Documentaries”.
  • Jahed, P. 2014. “Underground Cinema in Iran: Liberating by Digital.” Film International. Intellect Ltd. 12 (3): 106–111. https://doi.org/10.1386/fiin.12.3.106_1.
  • Jahed, P. 2017. “Undeground Films.” In Directory of World Cinema: Iran 2, 327–351. Bristol: Intellect.
  • Jahed, P. 2018. “Underground Cinema in Iran.” Iranian Cinema in a Global Context (69), 223–228. https://doi.org/10.4324/9781315771373-15.
  • Kalantari, P. 2003. 25سال سینمای ایران: گزیده فیلم‌های مستند. Tehran: Farabi.
  • Kautzer, C. 2015. Rdical Philosophy. Boulder CO: Paradigm Publishers.
  • Kazemimanesh, S. 2019. Underground Labyrinths: Woman and Expanded Cinema in Contemporary Iran (Book, 2019) [WorldCat.org]. Ohio: Ohio University.
  • Khosronejad, P. 2012. Iranian Sacred Defence Cinema. Canon Pyon: Sean Kingston Publishing.
  • Kīyānī, ʿAlī. 2017. Ni’ūri’ālīsm va sīnimā-yi Īrān :=Neorealism and Iranian Cinema. Nawshahr: Intishārāt-i Nāsang.
  • Lahiji, S. and R. Bani-etemad. 2000. Zīr-i pūst-i shahr. Chāp-i 1. Tihrān: Rawshangarān va Muṭālaʻāt-i Zanān.
  • Langford, M. 2019. Allegory in Iranian Cinema: The Aesthetics of Poetry and Resistance (Book, 2019). London: Bloomsbury.
  • Mehrabi, M. 2019. کتاب تاریخ سینمای ایران اثر مسعود مهرابی. Tehran: Nazar.
  • Mīhan′dūst, I. 2008. Ḥaqīqat dar qāb-i mustanad : majmūʻah-i maqālāt darbārah-i sīnimā-yi mustanad. Chāp-i 1. Tehran: Markaz-i Gustarish-i Sīnimā-yi Mustanad va Tajribī  ;Intishārāt-i Mātīkān.
  • Mihrjū'ī, D. 2013. Mihrjū'ī : kārnāmah-i chihil sālah. Chāp-i 1. Tihrān: Nashr-i Markaz.
  • Naficy, H. 1998. “Identity Politics and Iranian Exile Music Videos.” Iranian Studies 31 (1): 51–64. https://doi.org/10.1080/00210869808701895.
  • Naficy, H. 2000. “Veiled Voice and Vision in Iranian Cinema: The Evolution of Rakhshan Banietemad’s Films.” In Social Research. New York, NY: Johns Hopkins University Press, 67(2), pp. 537–576. https://resolver.ebscohost.com/openurl?genre=article&issn=0037783X&volume=67&issue=2&title=Social+Research&spage=559&date=2000-07-01&atitle=Veiled+voice+and+vision+in+Iranian+cinema%253A+The+evolution+of+Rakhshan+Banietemad%2527s+films&aulast=Naficy%252C+.
  • Naficy, H. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton, NJ: Princeton University Press. http://capitadiscovery.co.uk/ulster-ac/items/847340.
  • Naficy, H. 2011. A Social History of Iranian Cinema, Volume 1. Duke University Press. https://doi.org/10.1215/9780822393009.
  • Naficy, H. 2012a. A Social History of Iranian Cinema, Volume 3. Duke University Press. https://doi.org/10.1215/9780822393535.
  • Naficy, H. 2012b. A Social History of Iranian Cinema, Volume 4. Durham: Duke University Press.
  • Naficy, H. 2012c. “Under Cover, on Screen Women’s Representation and Women’s Cinema.” In A Social History of Iranian Cinema, Volume 4 The Globalizing Era, 1984–2010, edited by Naficy, 91–173. Durham: Duke University Press.
  • Naficy, H. 2013. “A Social History of Iranian Cinema, Volume 2.” A Social History of Iranian Cinema, Volume 2. https://doi.org/10.1215/9780822393016.
  • Omid, J. 1998. تاریخ سینمای ایران: 1279 - 1357 . Tehran: Rozaneh.
  • Omid, J. 2020. کتاب فرهنگ فیلم های سینمای ایران اثر جمال امید . Tehran: Negah.
  • Pak-Shiraz, N. 2011. Shi‘I Islam in Iranian Cinema Religion and Spirituality in Film. London: I.B.Tauris & Co Ltd.
  • Partovi, P. 2019. Popular Iranian Cinema Before the Revolution: Family and Nation in Filmfarsi. London: Routledge.
  • Qūkāsiyān, Z. 2007. Ḥaqīqat-i sīnimā va sīnimā ḥaqīqat : justhūyī dar ʻarṣah-yi sīnimā-yi mustanad. 1st ed. Tehran: Markaz-i Gustarish-i Sīnimā-yi Mustanad va Tajribī  ;Intishārāt-i Mātīkān.
  • Rizi, N. M. 2015. “Iranian Women, Iranian Cinema: Negotiating with Ideology and Tradition.” Journal of Religion & Film Article 19 (35): 4–1. http://digitalcommons.unomaha.edu/jrf/vol19/iss1/35.
  • Sadr, H. 2006. Iranian Cinema a Political History. London: I.B. Tauris.
  • Saeed-Vafa, M. and J. Rosen-Baum. 2018. Abbas Kiarostami. Urbana: University of Illinois Press.
  • Saljoughi, S. 2012. “Seeing, Iranian Style: Women and Collective Vision in Abbas Kiarostami’s Shirin.” Iranian Studies. https://doi.org/10.1080/00210862.2012.673826.
  • Saljoughi, S. 2015. Burning Visions: The Iranian New Wave and the Politics of the Image, 1962–1979. ProQuest Dissertations & Theses.
  • Saljoughi, S. 2017. “A New Form for a new People: Forugh Farrokhzad’s The House Is Black.” Camera Obscura 32 (1): 1–31. https://doi.org/10.1215/02705346-3661982.
  • Seif, M. 1998. کارگردانان سینمای ایران: از اوگانیانس تا امروز. Tehran: Isargaran.
  • Seyed-Gohrab, A. and K. Talattof. 2013. “Conflict and Development in Iranian Film.” In Conflict and Development in Iranian Film, 1–152. https://doi.org/10.18146/tmg.270.
  • Talebinejad, A. 1994. ی‌ک‌ ات‍ف‍اق‌ س‍اده‌: ب‍ررس‍ی‌ ج‍ری‍ان‌ م‍وج‌ ن‍و در س‍ی‍ن‍م‍ای‌ ای‍ران‌. Tehran: Sheida.
  • Tapper, R. 2014. The new Iranian Cinema : Politics, Representation and Identity. London: I.B. Tauris,.
  • Yousefi Nejad, A. 2016. Bibliographic Studty of Iranian Cinema, 1927–2015. Tehran: Rozaneh Kar.
  • Zaya, O. and S. Neshat. 2006. Shirin Neshat: The Last Word. Milan: Charta; Amalgamated Book Services [distributor].
  • Zeydabadi-Nejad, S. 2010. The Politics of Iranian Cinema : Film and Society in the Islamic Republic, The Politics of Iranian Cinema: Film and Society in the Islamic Republic. London: Routledge. doi:10.4324/9780203868478.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.