References
- Anon. 2020. “Coup de Theatre [Sic].” The Economist 435 (9194): 76.
- Azoulay, A. 2016. “Discours d’Audrey Azoulay, ministre de la Culture et de la Communication, prononcé à l’occasion de la remise du rapport de Laurence Herszberg ‘Créer en France un festival des séries de renommée internationale’.” Ministère de la Culture et de la Communication, April 15.
- Bajos, S. 2020. “‘La Révolution’ sur Netflix: pourquoi c’est raté.” Le Parisien, October 16.
- Boutet, M. 2014. “Depuis quand les Français sont-ils accros aux séries TV?” Inaglobal, April 24.
- Burch, N., and G. Sellier. 2013. Ignorée de tous … sauf du public. Quinze ans de fiction télévisée française 1995–2010. Paris: Éditions INA.
- Chrisafis, A. 2011. “Meet Spiral’s Feminist Anti-Hero.” The Guardian, May 3.
- Crumley, B. 2016. “French TV’s Reputation Spirals Upwards.” The Guardian, February 19.
- Dale, M. 2016. “Rochant’s ‘The Bureau’ Wins Best TV Series from French Cinema Critics.” Variety, February 3.
- Desta, Y. 2022. “Irma Vep: Olivier Assayas Explains That Surreal, Maggie Cheung-Inspired Dream Scene.” Vanity Fair, June 29.
- Durand, J.-M. 2012. “Les Revenants, ainsi soient-ils, opérateurs … séries françaises: La Résurrection.” Les Inrockuptibles, November 25.
- Favre, M. 1999. “Les feuilletons, les séries.” In L’Écho du siècle: dictionnaire historique de la radio et de la télévision en France, edited by Jean-Noël Jeanneney, 411–414. Paris: Hachette.
- Gallot, C. 2015. “Eric Rochant: Je supervise tout.” Libération, April 24.
- Goodfellow, M. 2021. “Why the French TV Drama Boom Is ‘Just the Beginning’.” Screen Daily, June 29.
- Harrod, M. 2021. “Channeling Globalism: Canal+ as Transnational French Genre Film Producer.” Contemporary French Civilization 46 (3): 285–307.
- Icher, B. 2010. “Engrenages, la série à spirales.” Libération, May 3.
- Jenner, M. 2018. Netflix and the Re-Invention of Television. Cham: Palgrave.
- Kuhn, R. 2021. “Canal+: From Innovative Newcomer to Beleaguered Brand.” Contemporary French Civilization 46 (3): 265–283.
- Lagrange, V. 2005. Mémoires d’un temps où l’on s’aimait. Paris: Éditions Le Pré aux clercs.
- Langlais, P. 2016. “Carton rouge pour ‘Marseille’, le premier navet ‘maison’ de Netflix.” Télérama, May 5.
- Leffler, R. 2023. “Why French Auteurs are Arriving Fashionably Late to the Series Business.” Screen Daily, March 30.
- Leigh, J. 2012. The Cinema of Eric Rohmer: Irony, Imagination and the Social World. London and New York: Continuum.
- Mazdon, L. 2002. “Introduction.” French Cultural Studies 13 (39): 241–245.
- Meir, C. 2019. Mass Producing European Cinema: Studiocanal and Its Works. London: Bloomsbury.
- Meir, C. 2021. “Global and Local Rhetorics at a Public-Facing Private Company: StudioCanal and French Cinema.” Contemporary French Civilization 46 (3): 309–326.
- Ménard, G. 1992. “Entretien avec Olivier Assayas.” Ciné-Bulles 11 (3): 26–29.
- Mittell, J. 2006. “Narrative Complexity in Contemporary American Television.” The Velvet Light Trap 58 (1): 29–40.
- Mittell, J. 2009. “Lost in a Great Story: Evaluation in Narrative Television (and Television Studies).” In Reading Lost, edited by Roberta Pearson, 119–138. London: I. B. Tauris.
- Nordenstreng, K., and T. Varis. 1974. “Television Traffic – A One-Way Street? A Survey and Analysis of the International Flow of Television Programme Material.” Reports and Papers on Mass Communication 70:1–65.
- Pettersen, D. 2021. “Les Revenants: Horror in France and the Tradition of the Fantastic.” French Screen Studies 21 (3): 239–257.
- Poitte, I. 2019. “Frédéric Krivine, scénariste d’Un village français: ‘Dans mes séries, je dramatise l’ordinaire’.” Télérama, November 20.
- Porter, R., and P. McClintock. 2021. “Lupin Snatches Top Netflix Viewing Spot in First Quarter.” Variety, April 20.
- Rochant, E. 2017. “Naissance d’un showrunner français ou l’art de produire des séries TV.” Journal de l’École de Paris du Management 5 (127): 21–27.
- Sellier, G. 2015. “Les séries télévisées, lieu privilégié de reconfiguration des normes de genre: l’exemple français.” Genre en Séries 1: 9–30.
- Soulez, G. 2015. “Moving between Screens: Television and Cinema in France, 1990–2010.” In A Companion to Contemporary French Cinema, edited by Alistair Fox, Michel Marie, Raphaëlle Moine, and Hilary Radner, 96–116. Chichester: John Wiley and Sons.