How Karlien van Jaarsveld and Refentse Morake became ‘Huisgenote’: a Foucauldian problematisation

References

• Ballantine, C (1993). Marabi Nights: Early South African Jazz and Vaudeville. Johannesburg: Ravan.
   Google Scholar
• Boermedia (2020). ‘Van vroegoggend het die Boere Senekal begin toesak.’ YouTube: Boermedia. <https://www.youtube.com/watch?v=fOYwnQxRDao> accessed 30 June 2022.
   Google Scholar
• Broodryk, C (2016). ‘Ons sal antwoord op jou roepstem: Steve Hofmeyr and Afrikaner identity in post-apartheid Afrikaans cinema.’ Communicare, 35(1):59–76.
   Web of Science ®Google Scholar
• Byerly, I B (1998). ‘Mirror, mediator, and prophet: The music “indaba” of late-apartheid South Africa.’ Ethnomusicology, 42(1):1–44. doi: 10.2307/852825
   Web of Science ®Google Scholar
• Chomsky, N & M Foucault (2006). The Chomsky-Foucault Debate on Human Nature. New York: The New Press.
   Google Scholar
• Coetzer, B (2005). ‘Langarm in and around Grahamstown: The dance, the social history and the music.’ Journal of the Musical Arts in Africa, 2(1):70–83. doi: 10.2989/18121000509486702
   Google Scholar
• Drewett, M (2003a). ‘Battling over borders: Narratives of resistance to the South African Border War voiced through popular music.’ Social Dynamics, 29(1):78–98. doi: 10.1080/02533950308628651
   Web of Science ®Google Scholar
• Drewett, M (2003b). ‘Music in the struggle to end apartheid: South Africa.’ In M Cloonan & R Garofalo (eds), Policing Pop. Philadelphia: Temple University Press, 153–165.
   Google Scholar
• Ferreira, T (2014). ‘TV pastor dumps kykNET for e.tv.’ News24. <https://www.news24.com/Channel/TV-pastor-dumps-kykNET-for-etv-20141119> accessed 5 August 2020.
   Google Scholar
• Foucault, M (1979 [1975]). Discipline and Punish: The Birth of the Prison. Translated by A Sheridan. New York: Vintage Books.
   Google Scholar
• Foucault, M (1981 [1970]). ‘The order of discourse.’ In R Young (ed.), Untying the Text: A Post-Structuralist Reader. Boston: Routledge & Kegan Paul, 48–78.
   Google Scholar
• Foucault, M (1987). ‘The ethic of care for the self as a practice of freedom: An interview with Michel Foucault on January 20, 1984.’ Conducted by R Fornet-Betancourt, H Becker & A Gomez-Muller, translated by J D Gauthier. Philosophy and Social Criticism, 12(2–3):112–131.
   Google Scholar
• Foucault, M (1997). Essential Works of Foucault, 1954–1984 Volume 1: Ethics, Subjectivity and Truth. Translated by R Hurley, edited by P Rabinow. New York: The New Press.
   Google Scholar
• Foucault, M (2000). Essential Works of Foucault, 1954–1984 Volume 3: Power. Translated by R Hurley, edited by J D Faubion. New York: The New Press.
   Google Scholar
• Foucault, M (2005). The Hermeneutics of the Subject: Lectures at the College de France 1981–1982. Translated by G Burchell, edited by F Gros. New York: Palgrave Macmillan.
   Google Scholar
• Foulston, L & S Abbott (2009). Hindu Goddesses: Beliefs and Practices. Brighton: Sussex Academic Press.
   Google Scholar
• Froneman, W (2019). ‘Boeremusiek.’ In H Feldman, D Horn, J Shepherd & G Kielich (eds), Bloomsbury Encyclopedia of Popular Music of the World Volume XII – Genres:Sub-Saharan Africa. London: Bloomsbury Academic, 78–83.
   Google Scholar
• Gerwel, G J (1983). Literatuur en Apartheid: Konsepsies van “Gekleurdes” in die Afrikaanse Roman tot 1948. Kasselsvlei: Kampen.
   Google Scholar
• Hartley, L P (1971 [1953]). The Go-Between. London: Hamish Hamilton.
   Google Scholar
• Herman, E S & N Chomsky (1988). Manufacturing Consent: The Political Economy of the Mass Media. New York: Pantheon Books.
   Google Scholar
• Lambrechts, L & J Visagie (2009). ‘De la Rey, De la Rey, sal jy die Boere kom lei?’ LitNet Akademies, 6(2):75–105.
   Google Scholar
• Liedboek van die Kerk: Begeleiersboek (2000). Wellington: NG Kerk-Uitgewers.
   Google Scholar
• Megill, A (1985). Prophets of Extremity: Nietzsche, Heidegger, Foucault, Derrida. Berkeley: University of California Press.
   Google Scholar
• Mosaiek (2023). ‘Welkom by Mosaiek.’ Mosaïek. <https://www.mosaiek.com/kyknet-dieboodskap/> accessed 5 August 2023.
   Google Scholar
• Mtshali, K & G Hlongwane (2014). ‘Contextualizing South Africa’s freedom songs: A critical appropriation of Lee Hirsch’s “Amandla!: A Revolution in Four-Part Harmony”.’ Journal of Black Studies, 45(6):507–527. doi: 10.1177/0021934714541839
   Web of Science ®Google Scholar
• Nietzsche, Friedrich (2000 [1872]). The Birth of Tragedy. Translated by D Smith. Oxford: Oxford University Press.
   Google Scholar
• Owen, D R (1994). Ubukhosi Neenkokeli: A Directory of Eastern Cape Black Leaders, from c. 1700 to 1990. Grahamstown: Albany Museum.
   Google Scholar
• Sekhaulelo, M A (2016). ‘The challenges facing the Dutch Reformed Churches in the South African liberal democracy.’ HTS Teologiese Studies/Theological Studies, 72(1):1–7. doi: 10.4102/hts.v72i1.3031
   Google Scholar
• Silber, G (2022). ‘Meet Refentse Morake: The Sebokeng singer who fell in love with Afrikaans.’ SA People News. <https://www.sapeople.com/2022/05/20/gus-silber-meets-refentse-morakethe-singer-who-fell-in-love-with-afrikaans/> accessed 5 July 2023.
   Google Scholar
• Steyn, M (2000). ‘New shades of “whiteness”: White identity in a multicultural, democratic South Africa.’ Communitas, 5(1):1–18.
   Google Scholar
• Tirkkonen, S (2015). ‘Power, religion, and simulacrum: Foucault on the cult of Dionysus.’ Stasis, 3(2):302–321.
   Google Scholar
• Van der Merwe, J (2016). ‘Evangelis Andries Enslin tel weer sy kop op na emosionele ineenstorting.’ Netwerk24: Huisgenoot. <https://www.netwerk24.com/huisgenoot/Nuus/evangelis-andriesenslin-tel-weer-sy-kop-op-na-emosionele-ineenstorting-20170528> accessed 25 October 2020.
   Google Scholar
• Viljoen, M (2011). ‘Die banale as (rap-) identiteit: Jack Parow se “Cooler as Ekke”.’ LitNet Akademies, 8(2):244–269.
   Google Scholar
• Weideman, E (ed.) (2006). Huisgenoot: 90 Jaar Gedenkuitgawe. Cape Town: Media24.
   Google Scholar
• Wilkins, I & H Strydom (2012 [1978]). The Super-Afrikaners: Inside the Afrikaner Broederbond. Johannesburg: Jonathan Ball.
   Google Scholar
• Discography
   Google Scholar
• Hertzog, J B M, D F Malan, J G Strijdom & H F Verwoerd (1961). Ons vir Jou, Suid Afrika: Die Argitekte van die Republiek aan die Woord. Long-play record. Gallotone. GALP 1474.
   Google Scholar
• Jacobs, N (2022). ‘Meadowlands Mielieland.’ YouTube: Various Artists – Topic. <https://m.youtube.com/watch?v=WVhxPtpizaE&pp=ygUYbWVhZG93bGFuZHMgbmFuY3kgamFjb2Jz> accessed 5 July 2023.
   Google Scholar
• Morake, R (2016). My Hart Bly ‘n Taal. Compact disc. Select Music. CDSEL0187.
   Google Scholar
• Morake, R (2019). ‘Refentse – What a Boytjie.’ YouTube: RefentseVEVO. <https://m.youtube.com/watch?v=tzcavDArS_E&pp=ygUOd2hhdCBhIGJveXRqaWU%3D> accessed 5 July 2023.
   Google Scholar
• Van Jaarsveld, K (2017). ‘Karlien van Jaarsveld – Sing vir Liefde.’ YouTube: KarlienVanJVEVO. <https://m.youtube.com/watch?v=KFYSPYzMW84&pp=ygUlc2luZyB2aXIgbGllZmRlIGthcmxpZW4gdmFuIGphYXJzdmVsZA%3D%3D> accessed 5 July 2023.
   Google Scholar