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Journal overview

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Transnational Screens has emerged in response to a shift in global film, television and streaming and how we understand dynamic new industrial and textual practices. Transnational Screens aims to break down traditional geographical divisions and welcomes submissions on any aspect of transnational film, television, streaming culture, and screen media practices.

All articles in Transnational Screens have undergone a rigorous anonymized peer review, based on anonymized refereeing by Editors and reviewers.

Authors can choose to publish gold open access in this journal.

Read the Instructions for Authors for information on how to submit your article.

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Explore the most recently published articles

Towards a transnational aesthetics of Blackness: Raoul Peck’s I Am Not Your Negro
Julianna Blair Watson
Article | Published online: 8 Apr 2024
Open Access
Transnational Kaijû: exploitation, globalisation and cult monster movies
Mark Bould
Book Review | Published online: 25 Mar 2024
Bad Sisters – space, class and the reimagining of Dublin
Ruth Barton
Article | Published online: 5 Mar 2024
Open Access
Branding collaborative pan-Asian authorship in the transnational works of New Thai cinema auteur Pen-ek Ratanaruang
Anchalee Chaiworaporn
Article | Published online: 3 Mar 2024
De-westernizing the gaze in Hulu’s Ramy (2019)
Abderrahmene Bourenane
Article | Published online: 5 Feb 2024
Strategies of unworlding in Youssef Chahine’s Adieu Bonaparte (1985)
Carla Ambrósio Garcia
Article | Published online: 30 Jan 2024
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Previous issue

Cover image for Transnational Screens, Volume 14, Issue 2
Volume 14, Issue 2, 2023

Transnational Feminist Approaches to Film and Media from the Middle East and North Africa

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