Contemporary Theatre Review, Volume 30, Issue 2 (2020)

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Contemporary Theatre Review, Volume 30, Issue 2 (2020)

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Katie Mitchell

Notes on Contributors

Notes on Contributors
Pages: 135-136
Published online: 10 Jun 2020
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Introduction

Introduction
Katie Mitchell’s Theatre
Tom Cornford & Caridad Svich
Pages: 137-150
Published online: 10 Jun 2020
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Research Article

Article
The Meaning of Peeling Paint (Notes on a Mitchell Mise-en-Scène)
Benjamin Fowler
Pages: 151-167
Published online: 10 Jun 2020
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Article
Katie Mitchell and the Technologies of the Realist Theatre
Tom Cornford
Pages: 168-192
Published online: 10 Jun 2020
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Article
‘You Were an O. Your Black O in the Middle of Your Face’: Madness and Catastrophe in Katie Mitchell’s Ophelias Zimmer and Anatomy of a Suicide
Anna Harpin
Pages: 193-210
Published online: 10 Jun 2020
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Article
Opera’s Second Life: Katie Mitchell’s Contributions to Contemporary Opera-Making
Mario Frendo
Pages: 211-225
Published online: 10 Jun 2020
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Article
From Facts to Feelings: The Development of Katie Mitchell’s Ecodramaturgy
Catherine Love
Pages: 226-235
Published online: 10 Jun 2020
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Documents

Curating the Invisible: An Archive-Embedded Interview with Struan Leslie
Duška Radosavljević
Pages: 236-244
Published online: 10 Jun 2020
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‘Creating Something that Feels Alive’: Sound Design for Katie Mitchell. Interview with Donato Wharton
Tom Cornford
Pages: 245-252
Published online: 10 Jun 2020
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Interview with Katie Mitchell
Bryce Lease
Pages: 253-259
Published online: 10 Jun 2020
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Stumbling around Polish Theatre with Katie Mitchell: A Personal Reflection
Paul Allain
Pages: 260-264
Published online: 10 Jun 2020
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Katie Mitchell and the Practice/ise of Rehearsal
Adam J. Ledger
Pages: 265-268
Published online: 10 Jun 2020
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List of Katie Mitchell’s Productions 1989-2019
Erin Lee & Tom Cornford
Pages: 269-277
Published online: 10 Jun 2020
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Re-Readings

Re-Readings
Pages: 278-279
Published online: 10 Jun 2020
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Book reviews

Book Review
Insecurity: Perils and Products of Theatres of the Real
by Jenn StephensonToronto: University of Toronto Press, 2019, 296 pp, ISBN 9781487501853 (hardback)
Liz Tomlin
Pages: 280-281
Published online: 10 Jun 2020
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Book Reviews

Book Review
Queer Exceptions: Solo Performance in Neoliberal Times
by Stephen GreerManchester: Manchester University Press, 2019, 264 pp, ISBN 9781526113696 (hardback)
Lazlo Pearlman
Pages: 281-282
Published online: 10 Jun 2020
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Book review

Book Review
The Five Continents of Theatre: Facts and Legends about the Material Culture of the Actor
by Eugenio Barba and Nicola SavareseLeiden and Boston: Brill Sense, 2019, 411 pp, ISBN 9789004392922 (paperback)
Patrick Campbell
Pages: 282-283
Published online: 10 Jun 2020
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Book Reviews

Book Review
The Reasonable Audience: Theatre Etiquette, Behaviour Policing, and the Live Performance Experience
by Kirsty SedgmanCham, Switzerland: Palgrave Pivot, 2018, xi + 174 pp, ISBN 9783319991658 (hardback)
Isabel Stuart
Pages: 283-285
Published online: 10 Jun 2020
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Book Review
Agency: A Partial History of Live Art
edited by Theron SchmidtBristol and London: Intellect and Live Art Development Agency, 2019, 320 pp, ISBN 9781783209903 (paperback)
Jennie Klein
Pages: 285-286
Published online: 10 Jun 2020
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Backpages

Backpages 30.2
Pages: 287-296
Published online: 10 Jun 2020
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Abstracts

Abstract
Abstracts
Pages: 297-301
Published online: 10 Jun 2020
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Correction

Correction
Correction
Page: 302
Published online: 05 May 2020
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