Performance Research, Volume 26, Issue 4 (2021)

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Performance Research, Volume 26, Issue 4 (2021)

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On (Un)Knowns

Editorial

Editorial
Editorial: On (Un)Knowns
Hetty Blades, Scott Delahunta & Lucía Piquero Álvarez
Pages: 1-3
Published online: 03 Mar 2022
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Free Access

Research Article

Article
Dancing in Car Parks
Funmi Adewole, Jonathan Burrows & Katye Coe
Pages: 4-8
Published online: 03 Mar 2022
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Article
[xxxxx]: A video documented performance study
Alen Agaranov & HY Florence Lam
Pages: 9-10
Published online: 03 Mar 2022
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Article
Ibn ‘Arabi and the Shadhiliya of Tunisia
Exploring knowledge as embodied practice in the hadra rituals of Sidi Bin-Hasan
Dia Barghouti
Pages: 11-17
Published online: 03 Mar 2022
AbstractforIbn ‘Arabi and the Shadhiliya of Tunisia | Full Text | References | PDF (456.1 KB) | EPUB
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Article
Blind Spots
Meghan Moe Beitiks & Joel Foster
Pages: 18-23
Published online: 03 Mar 2022
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Article
Choreography as Concept, Dancing as Material
Erin Brannigan
Pages: 24-31
Published online: 03 Mar 2022
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Article
Unfolding Images
Notes on image analysis and choreography in the frame of Ad Extra
Beatriz Cantinho & Túlio Rosa
Pages: 32-36
Published online: 03 Mar 2022
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Article
What about Knowledgefied Discourse in Artistic Research?
Reflections from Brazil
Susana Castro Gil
Pages: 37-45
Published online: 03 Mar 2022
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Article
The Anatomy of Knowledge
On The Dead/The Undead by Mobile Akademie Berlin
Jasper Delbecke
Pages: 46-53
Published online: 03 Mar 2022
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Article
A bodily mental lexicon: Documenting a choreographer’s method through a multimodal archival resource
Carla Fernandes & Francisco Henriques
Pages: 54-57
Published online: 03 Mar 2022
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Article
‘Papiers Voisins’, Stories of Entangled Documentations
Emilie Gallier
Pages: 58-62
Published online: 03 Mar 2022
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Open Access
Article
[Dis]rupting, [mis]understanding, [un]learning and [re]membering—Lerato Shadi, Hamedine Kane and Euridice Zaituna Kala
Katja Gentric
Pages: 63-70
Published online: 03 Mar 2022
Abstractfor[Dis]rupting, [mis]understanding, [un]learning and [re]membering—Lerato Shadi, Hamedine Kane and Euridice Zaituna Kala | Full Text | References | PDF (226.9 KB) | EPUB
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Article
‘And then again, I draw myself to the detail’
Capturing experiential states in contemporary dance making through Expanded Fields
Ruth Gibson & Jenny Roche
Pages: 71-77
Published online: 03 Mar 2022
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Open Access
Article
A Trilogy of Getting Stuck
Methods of (un)knowing
Sepideh Karami
Pages: 78-82
Published online: 03 Mar 2022
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Article
Forming Blank, Performing Form
Jondi Keane
Pages: 83-89
Published online: 03 Mar 2022
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Article
Magicking possible futures
Vivências by Grupo Cultural Balé das Iyabás
Paola María Marugán Ricart
Pages: 90-94
Published online: 03 Mar 2022
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Article
Dancing with Epistemic Borders
Knowledge and unknowns in mixed-methods Practice-as-Research (PaR) collaborations between dance and social science
Aoife McGrath, Victoria Durrer & Peter Campbell
Pages: 95-103
Published online: 03 Mar 2022
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Open Access
Article
(De)composing the Mongrel
Improvisation and the (un)known
Matthew James Noone
Pages: 104-109
Published online: 03 Mar 2022
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Open Access
Article
Scoring Enquiry, Unsettling Ignorance
Moving with racialized cancer uncertainties
Caro Novella
Pages: 110-117
Published online: 03 Mar 2022
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Article
Meeting on Paper
Dramaturgy as a practice of lateral movement
Efrosini Protopapa & Konstantina Georgelou
Pages: 118-123
Published online: 03 Mar 2022
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Open Access
Article
‘To all my friends, known and unknown, close and distant’
Or how to think about thinking about performance art
Jonas Rutgeerts
Pages: 124-127
Published online: 03 Mar 2022
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Article
The Artful Agile Atypical Octopussy
Kai Syng Tan
Pages: 128-129
Published online: 03 Mar 2022
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Open Access
Article
Kinesthetic Empathy as Embodied Research
A case study
Celia Vara
Pages: 130-136
Published online: 03 Mar 2022
AbstractforKinesthetic Empathy as Embodied Research | Full Text | References | PDF (1.1 MB) | EPUB
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Article
Qualic monsters in corridors: Reading Mette Ingvartsen’s ‘Manual Focus (solo version for camera)’
Joanne 'Bob' Whalley & Lee Miller
Pages: 137-141
Published online: 03 Mar 2022
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Open Access

Book Review

Book Review
‘At last we were offered a glass of champagne!’: A study of live art
Joshua Sofaer: Performance | Objects | Participation, Bristol, UK and Chicago, USA: Intellect Live, 2020; 288pp.
Tomaž Krpič
Pages: 142-143
Published online: 03 Mar 2022
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Book Review
A Mercurial Mirage: Seascapes as event, logic and method
The Chinese Atlantic: Seascapes and the theatricality of globalization, By Sean Metzger, Bloomington: Indiana University Press, 2020, 274 pp.
Zihan Loo
Pages: 143-144
Published online: 03 Mar 2022
CitationforA Mercurial Mirage: Seascapes as event, logic and method | Full Text | PDF (158.7 KB) | EPUB
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Book Review
Remixing the movement: Spirit, sound and flesh
Nuyorican Feminist Performance: From the café to Hip Hop theater, By Patricia Herrera, Ann Arbor, MI: University of Michigan Press, 2020; 246pp.
Jade Power-Sotomayor
Pages: 144-146
Published online: 03 Mar 2022
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Book Review
US Dance and Globalism at Mid-Century
Dancing the World Smaller: Staging globalism in mid-century America, by Rebekah J. Kowal, New York: Oxford University Press, 2020; 296 pp.
Emily Wilcox
Pages: 146-147
Published online: 03 Mar 2022
CitationforUS Dance and Globalism at Mid-Century | Full Text | PDF (153.1 KB) | EPUB
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Back Matter

Notes on Contributors
Pages: 148-150
Published online: 03 Mar 2022
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Free Access

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