Studies in European Cinema, Volume 17, Issue 3 (2020)

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Studies in European Cinema, Volume 17, Issue 3 (2020)

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The Italian Film Noir

Introduction

Introduction
Italian film noir: a special issue of Studies in European Cinema
Marco Paoli & Barbara Pezzotti
Pages: 185-189
Published online: 05 Nov 2020
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Articles

Article
The persistence of yellow in Italian film noir
Mary P. Wood
Pages: 190-204
Published online: 04 Feb 2020
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Article
Means streets and bloody shores: toward a spatial theory of the Mediterranean noir
Alberto Zambenedetti
Pages: 205-217
Published online: 12 Nov 2019
AbstractforMeans streets and bloody shores: toward a spatial theory of the Mediterranean noir | Full Text | References | PDF (941.1 KB) | EPUB
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Article
Italian film noir and the fragmentation of modernity. The any-space-whatevers of postwar melodrama
Lorenzo Marmo
Pages: 218-232
Published online: 25 Feb 2020
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Article
The witch, the killer, and the duckling. The emotionalized reflexivity of the Italian giallo
Massimo Locatelli
Pages: 233-248
Published online: 12 Mar 2020
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Article
Social critique and viewer’s response in the Italian Gangster film: the case of Bandits in Milan (1968) and Romanzo Criminale (2005)
Marco Paoli & Barbara Pezzotti
Pages: 249-264
Published online: 31 Jul 2020
AbstractforSocial critique and viewer’s response in the Italian Gangster film: the case of Bandits in Milan (1968) and Romanzo Criminale (2005) | Full Text | References | PDF (344 KB) | EPUB
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Book Reviews

Book Review
Italian horror cinema
edited by Stefano Baschiera and Russ Hunter, Edinburgh, Edinburgh University Press, 2016, 240 pp., £24.99 (paperback), ISBN 978-1474419680
Mark Goodall
Pages: 265-266
Published online: 07 Jan 2018
CitationforItalian horror cinema | Full Text | PDF (213.2 KB) | EPUB
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Book Review
Troubled everyday: the aesthetics of violence and the everyday in European art cinema
by Alison Taylor, Edinburgh, Edinburgh University Press, 2017, 144 pp., £70 (hardback), ISBN 978-1474415224
Kalling Heck
Pages: 266-269
Published online: 30 Dec 2017
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Book Review
Afterlives: allegories of film and mortality in early Weimar Germany
by Steve Choe, London, Bloomsbury, 2014, 288 pp., £80 (hardback), ISBN 978-1-4411-7538-0
Ervin Malakaj
Pages: 269-271
Published online: 30 Dec 2017
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Book Review
The operatic and the everyday in post-war Italian film melodrama
by Louis Bayman, Edinburgh, Edinburgh University Press, 2014, 240 pp., £24.99 (paperback), ISBN 978-1474402866
Dalila Missero
Pages: 271-273
Published online: 03 Jan 2018
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Book Review
Feminist film theory and ‘Cléo from 5 to 7’
by Hilary Neroni, London, New York, Bloomsbury, 2016, 160 pp., £15.99 (paperback), ISBN 978-1-5013-1369-1
Sarah Louise Smyth
Pages: 273-275
Published online: 16 Apr 2018
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Book Review
Polish cinema in a transnational context
edited by Ewa Mazierska and Michael Goddard, Rochester, University of Rochester Press, 2014, 333 pp., £60 (hbk), ISBN: 9781580464680
Malgorzata Bugaj
Pages: 275-278
Published online: 20 Sep 2018
First Page PreviewforPolish cinema in a transnational context | Full Text | References | PDF (373.7 KB) | EPUB
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Book Review
The Bressonians: French cinema and the culture of authorship
by Codruţa Morari, New York, Berghahn Books, 2017, 196 pp., £78 (hbk), ISBN: 978-1-78533-571-6
Ryan Banfi
Pages: 278-280
Published online: 10 Feb 2019
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Book Review
Nordisk Film Kompagni 1906-1924: The Rise and Fall of the Polar Bear
by Isak Thorsen, Bloomington, Indiana University Press, 2017, 250 pp., £21.99 (paperback), ISBN: 978-0-861-96731-5
Shane Brown
Pages: 280-282
Published online: 10 Feb 2019
First Page PreviewforNordisk Film Kompagni 1906-1924: The Rise and Fall of the Polar Bear | Full Text | PDF (323.2 KB) | EPUB
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