South African Theatre Journal, Volume 31, Issue 1 (2018)

Browse this journal
Sample our Arts journals, sign in here to start your access, latest two volumes FREE to you for 14 days

South African Theatre Journal, Volume 31, Issue 1 (2018)

See all volumes and issues
Vol 36, 2023 Vol 35, 2022 Vol 34, 2021 Vol 33, 2020 Vol 32, 2019 Volume 31, 2018 Vol 30, 2017 Vol 29, 2016 Vol 28, 2015 Vol 27, 2014 Vol 26, 2012 Vol 25, 2011 Vol 24, 2010 Vol 23, 2009 Vol 22, 2008 Vol 21, 2007 Vol 20, 2006 Vol 19, 2005 Vol 18, 2004 Vol 17, 2003 Vol 16, 2002 Vol 15, 2001 Vol 14, 2000 Vol 13, 1999 Vol 12, 1998 Vol 11, 1997 Vol 10, 1996 Vol 9, 1995 Vol 8, 1994 Vol 7, 1993 Vol 6, 1992 Vol 5, 1991 Vol 4, 1990 Vol 3, 1989 Vol 2, 1988 Vol 1, 1987
Download citations Download PDFs Download issue

Embodied knowledge(s), embodied pedagogies and performance

Editorial

Editorial
Embodied knowledge(s), embodied pedagogies and performance
Marié-Heleen Coetzee
Pages: 1-4
Published online: 11 Apr 2018
AbstractforEmbodied knowledge(s), embodied pedagogies and performance | Full Text | References | PDF (243.2 KB)
  • 9539 Views
  • 3 CrossRef citations
  • 0Altmetric
Free Access

Articles

Article
Principles for embodied learning approaches
Marth Munro
Pages: 5-14
Published online: 22 Jan 2018
AbstractforPrinciples for embodied learning approaches | Full Text | References | PDF (265 KB)
  • 2191 Views
  • 5 CrossRef citations
  • 0Altmetric
Article
Living the experience of learning: embodied reflexivity as pedagogical process
Elinor Vettraino & Warren Linds
Pages: 15-35
Published online: 16 Jan 2018
AbstractforLiving the experience of learning: embodied reflexivity as pedagogical process | Full Text | References | PDF (346.4 KB)
  • 501 Views
  • 1 CrossRef citations
  • 0Altmetric
Article
Knowing in our bones: interrogating embodied practice in theatre-making/theatre-teaching through self-study
Tamar Meskin & Tanya van der Walt
Pages: 36-57
Published online: 18 Jan 2018
AbstractforKnowing in our bones: interrogating embodied practice in theatre-making/theatre-teaching through self-study | Full Text | References | PDF (237 KB)
  • 528 Views
  • 3 CrossRef citations
  • 0Altmetric
Article
Embodied storytelling: using narrative as a vehicle for collaborative choreographic practice – a case study of FLATFOOT DANCE COMPANY’s 2016 HOMELAND TRILOGY (South Africa and Senegal).
Lliane Loots
Pages: 58-71
Published online: 23 Jan 2018
AbstractforEmbodied storytelling: using narrative as a vehicle for collaborative choreographic practice – a case study of FLATFOOT DANCE COMPANY’s 2016 HOMELAND TRILOGY (South Africa and Senegal). | Full Text | References | PDF (786.5 KB)
  • 610 Views
  • 1 CrossRef citations
  • 0Altmetric
Article
Curvature (2016): an embodied interrogation into representations of the female body
Ashley Kim Wakefield
Pages: 72-85
Published online: 11 Apr 2018
AbstractforCurvature (2016): an embodied interrogation into representations of the female body | Full Text | References | PDF (585.1 KB)
  • 416 Views
  • 0 CrossRef citations
  • 0Altmetric
Article
Mapping a classic: body mapping and Koodiyattam Rasa breath patterns as a way of embodying character and analysing text in a production of The Trojan Women with second year acting students from the University of Cape Town’s Drama Department.
Sara Matchett
Pages: 86-97
Published online: 24 Jan 2018
AbstractforMapping a classic: body mapping and Koodiyattam Rasa breath patterns as a way of embodying character and analysing text in a production of The Trojan Women with second year acting students from the University of Cape Town’s Drama Department. | Full Text | References | PDF (260.4 KB)
  • 245 Views
  • 0 CrossRef citations
  • 0Altmetric
Article
‘The sight and sound of fireworks’ – embodied interactions within piano performance gestures
Anchen Froneman
Pages: 98-114
Published online: 22 Jan 2018
Abstractfor‘The sight and sound of fireworks’ – embodied interactions within piano performance gestures | Full Text | References | PDF (574 KB)
  • 262 Views
  • 0 CrossRef citations
  • 0Altmetric
Article
The use of embodied imagination and empathy to bridge actor–character dissonance
Èmil Haarhoff
Pages: 115-132
Published online: 19 Jan 2018
AbstractforThe use of embodied imagination and empathy to bridge actor–character dissonance | Full Text | References | PDF (514.5 KB)
  • 405 Views
  • 0 CrossRef citations
  • 0Altmetric
Article
Who’s game? Embodied play in theatre and sport
Samantha Prigge-Pienaar
Pages: 133-145
Published online: 19 Jan 2018
AbstractforWho’s game? Embodied play in theatre and sport | Full Text | References | PDF (278.3 KB)
  • 460 Views
  • 0 CrossRef citations
  • 0Altmetric
Article
The video way of thinking
Ben Spatz
Pages: 146-154
Published online: 10 Jan 2018
AbstractforThe video way of thinking | Full Text | References | PDF (374.7 KB)
  • 1396 Views
  • 2 CrossRef citations
  • 0Altmetric
Open Access

Explore articles

Explore the most recently published articles

Shifting sands of the past and the present in drama of the New South Africa: Neil Coppen’s Tin Bucket Drum and Nadia Davids’ What Remains
Owen Seda et al.
Article | Published online: 6 Jun 2024
Open Access
Stephen Joel Chifunyise and his contribution to the praxis of Afroscenology
Samuel Ravengai
Article | Published online: 2 May 2024
Open Access
A long walk to Purgatory: the tales of Dante & Mashudu
Michael Lambert
Book Review | Published online: 10 Mar 2024
‘Opera and music theatre’, African theatre
Jeffrey Brukman
Book Review | Published online: 4 Mar 2024
View all latest articles