https://orcid.org/0000-0001-6495-6923
References
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- Clark, Walter Aaron. 1999. Isaac Albéniz: Portrait of a Romantic. Oxford: Oxford University Press. https://doi.org/10.1093/oso/9780198163695.001.0001
- Clark, Walter Aaron. 2006. Enrique Granados: Poet of the Piano. New York: Oxford University Press. https://doi.org/10.1093/oso/9780195140668.001.0001
- Clark, Walter Aaron. 2018. Los Romeros: Royal Family of the Spanish Guitar. Urbana, IL: University of Illinois Press. https://doi.org/10.5622/illinois/9780252041907.001.0001
- Gardiner, Duncan. 2020. ‘Sounding a History of the Guitar in Queensland: The First 100 Years and More.’ DMA diss., Queensland Conservatorium, Griffith University. https://doi.org/10.25904/1912/4052
- Hooper, Kirsty. 2020. The Edwardians and the Making of a Modern Spanish Obsession. Liverpool: Liverpool University Press. https://doi.org/10.2307/j.ctv11vcf74
- Llano, Samuel. 2013. Whose Spain?: Negotiating ‘Spanish Music’ in Paris, 1908-1929. New York: Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199858460.001.0001
- Murray, Kenneth James. 2013. ‘Spanish Music and Its Representations in London (1878–1930): from the Exotic to the Modern.’ PhD diss., Melbourne Conservatorium of Music, The University of Melbourne. http://hdl.handle.net/11343/57402
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