Fugitive Sounds: On the Politics of Listening at Argentina’s Southern Border

References

• Acosta, Abraham. 2004. Thresholds of Illiteracy. New York: Fordham University Press.
   Google Scholar
• Alonso, Carlos. 1998. The Burden of Modernity: The Rhetoric of Cultural Discourse in Spanish America. Oxford: Oxford University Press.
   Google Scholar
• Armillas-Tiseyra, Magalí. 2008. “Un texto (ex)céntrico: Nation, Narrative and Archive in Lucio V. Mansilla’s ‘Una excursión a los indos ranqueles’. Latin American Literary Review 35 (72): 52–82. http://www.jstor.org/stable/41220633.
   Google Scholar
• Beverley, John. 2004. Testimonio: On the Politics of Truth. Minneapolis: University of Minnesota Press.
   Google Scholar
• Brady, Erika. 1999. A Spiral Way: How the Phonograph Changed Ethnography. Jackson: University Press of Mississippi.
   Google Scholar
• Brown, J. Andrew. 2010. Test Tube Envy: Science and Power in Argentine Narrative. Bucknell: Bucknell University Press.
   Google Scholar
• Byrd, Jodi A. 2001. The Transit of Empire: Indigenous Critiques of Colonialism. Minneapolis: University of Minnesota Press.
   Google Scholar
• Chapman, Anne. 1972. “The Laments.” Liner Notes for Selk’nam (Ona) Chants of Tierra Del Fuego, Argentina, by Lola Kiepja. Folkways Records FW04176, streaming audio, https://search.alexanderstreet.com/view/work/bibliographic_entity%7Crecorded_cd%7C71673
   Google Scholar
• Chapman, Anne. 1988. The End of the World. New York: Research for the Study of Man. Accessed 15 March 2022. https://www.thereedfoundation.org/rism/chapman/end.htm.
   Google Scholar
• Chapman, Anne, and Ana Montés de Gonzalés. 1977. The Ona People: Life and Death on Tierra Del Fuego. Film. San Francisco, CA: Kanopy Streaming.
   Google Scholar
• Chion, Michel. 1999. The Voice in Cinema. Translated by Claudia Gorbman. New York: Columbia University Press.
   Google Scholar
• Covarrubias Horozco, Sebastián de. 1611. Tesoro de la lengua castellana, o española. Madrid: Luis Sánchez.
   Google Scholar
• Derrida, Jacques. 2006. Specters of Marx: The State of Debt, the Work of Mourning and the New International. Translated by Peggy Kamuf. New York: Routledge.
   Google Scholar
• Echeverría, Esteban. 1974. La cautiva. Buenos Aires: Editorial Huemul.
   Google Scholar
• Esposito, Roberto. [1998] 2009. Communidad, inmunidad y biopolítica. Translated by Alicia García Ruiz. Barcelona: Herder.
   Google Scholar
• Gigoux, Carlos. 2022. “‘Condemned to Disappear’: Indigenous Genocide in Tierra Del Fuego.” Journal of Genocide Research 24 (1): 1–22. https://doi.org/10.1080/14623528.2020.1853359
   Web of Science ®Google Scholar
• Gitelman, Lisa. 2001. Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era. Stanford: Stanford University Press.
   Google Scholar
• Graff Zivin, Erin. 2020. Anarcheologies: Reading as Misreading. New York: Fordham University Press.
   Google Scholar
• Hill, Edwin C., Jr. 2013. Black Soundscapes, White Stages: The Meaning of Francophone Sound in the Black Atlantic. Baltimore: Johns Hopkins University Press.
   Google Scholar
• Hernández, José. 1974. Martín Fierro. Translated by Frank G. Carrino, Alberto J. Carlos, and Norman Mangouni. Albany: SUNY Press.
   Google Scholar
• Hernández, José. 1994. Martín Fierro. Madrid: Editorial Castalia.
   Google Scholar
• Kerr, Ashley. 2020. Sex, Skulls, and Citizens: Gender and Racial Science in Argentina (1860-1910). Nashville: Vanderbilt University Press.
   Google Scholar
• Kittler, Friedrich. 2002. Gramophone, Film, Typewriter. Translated by Geoffrey Winthrop-Young and Michael Wutz. Stanford: Stanford University Press.
   Google Scholar
• Lehmann-Nitsche, Robert. 1899. “Antropología y Craneología.” Revista del Museo de la Plata, 9: 123–140.
   Google Scholar
• Ludmer, Josefina. 2002. The Gaucho Genre: A Treatise on the Motherland. Translated by Molly Wiegel. Durham, NC: Duke University Press.
   Google Scholar
• Mansilla, Lucio V. 1993. Una excursión a los indios ranqueles. Madrid: Instituto de Cooperación Iberoamericana, Ediciones de Cultura Hispánica.
   Google Scholar
• Mansilla, Lucio V. 1997. An Expedition to the Ranquel Indians. Translated by Mark McCaffrey. Austin: University of Texas Press.
   Google Scholar
• Masiello, Francine. 2018. The Senses of Democracy: Perception, Politics and Culture in Latin America. Austin: University of Texas Press.
   Google Scholar
• McEnaney, Tom. 2019. “The Sonic Turn.” Diacritics 47 (4): 80–109. https://doi.org/10.1353/dia.2019.0035
   Web of Science ®Google Scholar
• Meintjes, Louise. 2019. “Ululation.” In Remapping Sound Studies, edited by Gavin Steingo and Jim Sykes, 61–76. Durham, NC: Duke University Press.
   Google Scholar
• Molloy, Sylvia. 1996. “Imagen de Mansilla.” In Lectura crítica de la literatura americana, vol. 2, edited by Saúl Sosnowski, 392–404. Caracas: Biblioteca Ayacucho.
   Google Scholar
• Moreiras, Alberto. 2001. The Exhaustion of Difference: The Politics of Latin American Cultural Studies. Durham, NC: Duke University Press.
   Google Scholar
• Moten, Fred. 2003. In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota Press.
   Google Scholar
• Napolin, Julie Beth. 2020. The Fact of Resonance: Modernist Acoustics and Narrative Form. New York: Fordham University Press.
   Google Scholar
• Nebrija, Antonio de, and Magalí Armillas-Tiseyra. 2016. “On Language and Empire: The Prologue to Grammar of the Castilian Language (1492).” Publications of the Modern Language Association of America 131 (1): 197–208. https://doi.org/10.1632/pmla.2016.131.1.197
   Web of Science ®Google Scholar
• Ochoa Gautier, Ana María. 2014. Aurality: Listening and Knowledge in Nineteenth-Century Colombia. Durham, NC: Duke University Press.
   Google Scholar
• Rama, Angel. 1996. The Lettered City. Translated by John Charles Chasteen. Durham, NC: Duke University Press.
   Google Scholar
• Ramos, Julio. 1986. “Entre otros: Una excursión a los indios ranqueles.” Filología 21 (1): 143–171.
   Google Scholar
• Ramos, Julio. 2002. Divergent Modernities: Culture and Politics in Nineteenth-Century Latin America. Translated by John D. Blanco. Durham, NC: Duke University Press.
   Google Scholar
• Rancière, Jacques. 2010. Dissensus: On Politics and Aesthetics. Translated by Steven Corcoran. London: Continuum.
   Google Scholar
• Robinson, Dylan. 2020. Hungry Listening: Resonant Theory for Indigenous Sound Studies. Minneapolis: University of Minnesota Press.
   Google Scholar
• Rodríguez, Fermín. 2013. Un desierto para la nación: La escritura del vacío. Buenos Aires: Eterna Cadencia.
   Google Scholar
• Sarmiento, Domingo Faustino. 1897. Obras de D.F. Sarmiento. Buenos Aires: Imprenta Maria Moreno.
   Google Scholar
• Sommer, Doris. 1999. “Rigoberta’s Secrets.” Latin American Perspectives 18 (3): 32–50. http://www.jstor.org/stable/2633738. https://doi.org/10.1177/0094582X9101800303
   Google Scholar
• Sterne, Jonathan. 2003. The Audible Past: The Cultural Origins of Sound Reproduction. Durham, NC: Duke University Press.
   Google Scholar
• Szendy, Peter. 2008. Listen: A History of Our Ears. Translated by Charlotte Mandell. New York: Fordham University Press.
   Google Scholar
• Vazquez, Alexandra T. 2013. Listening in Detail: Performances of Cuban Music. Durham, NC: Duke University Press.
   Google Scholar
• Vicuña, Cecilia. 2012. Spit Temple: The Selected Performances of Cecilia Vicuña. Translated by Rosa Alcalá. Brooklyn: Ugly Duckling Press.
   Google Scholar
• Vicuña, Cecilia. 2021. Cruz del Sur. Santiago: Penguin Random House Grupo Editorial Chile.
   Google Scholar
• Viñas, David. 1983. Indios, ejército y frontera. Buenos Aires: Siglo veintiuno Editores.
   Google Scholar