Minor characters, genre, and relationality: Antigone’s sister in contemporary literature

References

• Bertrand, Jean-Pierre, and Lise Gauvin, eds. 2003. Littératures mineures en langue majeure. Montréal: Presses de l’Université de Montréal.
   Google Scholar
• Boscher, Kathryn, Fiona Macintosh, Justine McConnell, and Patrice Rankine, eds. 2015. The Oxford Handbook of Greek Drama in the Americas. Oxford: Oxford University Press.
   Google Scholar
• Butler, Judith. 2000. Antigone’s Claim: Kinship between Life and Death. New York: Columbia University Press.
   Google Scholar
• Clover, Carol J. 1992. Men, Women and Chainsaws: Gender in the Modern Horror Film. Princeton: Princeton University Press.
   Google Scholar
• Dahl, Östen. 2015. “The ‘Minor Language’ Perspective.” In Major versus Minor? Languages and Literatures in a Globalized World, edited by Theo D’haen Iannis Goerlandt, and Roger D. Sell, 15–23. Amsterdam: John Benjamins.
   Google Scholar
• Deleuze, Gilles, and Félix Guattari. [1975] 1986. Kafka: Toward a Minor Literature, translated by Dana Polan. Minneapolis: University of Minnesota Press.
   Google Scholar
• Douglass, Sean. 2018. “Six Women Allege Physical, Emotional Abuse at Dream Theatre Company.” The Clyde Fitch Report. Accessed July 29, 2021. https://www.clydefitchreport.com/2018/02/menekseoglu-dream-theatre.
   Google Scholar
• Duroux, Rose, and Stéphanie Urdician, eds. 2010. Les Antigones contemporaines (de 1945 à nos jours). Clermont-Ferrand: Presses Universitaires Blaise Pascal.
   Google Scholar
• Foley, Helen P., and Erin B. Mee, eds. 2011. Antigone on the Contemporary World Stage. Oxford: Oxford University Press.
   Google Scholar
• Genette, Gérard. [1982] 1983. Narrative Discourse: An Essay in Method, translated by Jane E. Lewin. Ithaca: Cornell University Press.
   Google Scholar
• Gilligan, Carol. [1982] 1993. A Different Voice: Psychological Theory and Women’s Development. Cambridge, MA: Harvard University Press.
   Google Scholar
• Hegel, Georg Wilhelm Friedrich. [1807] 2018. The Phenomenology of Spirit, translated by Terry Pinkard. Cambridge Hegel Translations. Cambridge: Cambridge University Press.
   Google Scholar
• Hegel, Georg Wilhelm Friedrich. [1835] 1998. Aesthetics: Lectures on Fine Art. 2 vols, translated by T. M. Knox. Oxford: Clarendon Press.
   Google Scholar
• Knox, Bernard M. W. [1964] 1983. The Heroic Temper: Studies in Sophoclean Tragedy. Berkeley: University of California Press.
   Google Scholar
• Lardinois, André. 2012. “Antigone.” In A Companion to Sophocles, edited by Kirk Ormand, 55–68. Malden, MA: Wiley-Blackwell.
   Google Scholar
• Lionnet, Françoise, and Shu-mei Shih, eds. 2005. Minor Transnationalism. Durham, NC: Duke University Press.
   Google Scholar
• Menekseoglu, Jeremy. 2004. Ismene, written by Jeremy Menekseoglu, directed by Mia Kuziko. 8–31 January 2004. Journeymen Theatre, Chicago.
   Google Scholar
• Menekseoglu, Jeremy. 2011. “Ismene’s Foreword.” The Ismene Project. Accessed November 22, 2022. https://theismeneproject.wordpress.com/2011/03/08/ismenes-forward-by-jeremy-menekseoglu.
   Google Scholar
• Neeser Hever, Cécile. 2022a. “Caring (about) Ismene: (r)écriture et care.” In Pour une littérature du care. Souci de l’autre, souci de soi et création, edited by Alexandre Gefen, and Andrea Oberhuber. Accessed November 2, 2022. http://www.fabula.org/colloques/document8271.php.
   Google Scholar
• Neeser Hever, Cécile. 2022b. “De-Marginalizing Antigone’s Sister: A Postmodern Take on Tragedy.” In Mythos & Postmoderne. Mythostransformation & mythische Frauen in zeitgenössischen Texten, edited by Barbara Bollig, 101–116. Göttingen: Brill/Vandenhoeck & Ruprecht.
   Google Scholar
• Rawlinson, Mary C. 2014. “Beyond Antigone: Ismene, Gender and the Right to Life.” In The Returns of Antigone: Interdisciplinary Essays, edited by Tina Chanter, and Sean D. Kirkland, 101–121. Albany: SUNY Press.
   Google Scholar
• “Relative”. 2022. Oxford English Dictionary. Accessed March 7, 2022. https://www.oed.com/view/Entry/161819?redirectedFrom=relative#eid.
   Google Scholar
• Rosen, Jeremy. 2016. Minor Characters Have Their Day: Genre and the Contemporary Literary Marketplace. New York: Columbia University Press.
   Google Scholar
• Scream 4. 2011. Directed by Wes Craven, script by Kevin Williamson, Dimension Films.
   Google Scholar
• Sophocles. [1888] 2010. The Plays and Fragments. With Critical Notes, Commentary and Translation in English Prose. Vol. 3: The Antigone, edited by Jebb Richard Claverhouse. Cambridge: Cambridge University Press.
   Google Scholar
• Steiner, George. 1984. Antigones: How the Antigone Legend Has Endured in Western Literature, Art and Thought. New Haven: Yale University Press.
   Google Scholar
• Thieme, John. 2001. Postcolonial Con-Texts: Writing Back to the Canon. London: Continuum.
   Google Scholar
• Tronto, Joan. 1993. Moral Boundaries: A Political Argument for an Ethic of Care. New York: Routledge.
   Google Scholar
• Van Zyl Smit, Betine, ed. 2016. A Handbook to the Reception of Greek Drama. Malden, MA: Wiley-Blackwell.
   Google Scholar
• Vekemans, Lot. 2005. Sister of, translated by Paul C. Evans. Unpublished manuscript. Personal communication, courtesy of the author.
   Google Scholar
• Wee, Valerie. 2005. “The Scream Trilogy, ‘Hyperpostmodernism,’ and the Late-Nineties Teen Slasher Film.” Journal of Film and Video 57 (3): 44–61.
   Web of Science ®Google Scholar
• Widdowson, Peter. 2006. “‘Writing Back’: Contemporary Re-visionary Fiction.” Textual Practice 20 (3): 491–507. https://doi.org/10.1080/09502360600828984
   Web of Science ®Google Scholar