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Notes
1 Lukács, Realism in Our Time, 31.
2 DeMaagd, Dissensuous Modernism, 2.
3 Ibid., 3.
4 Darius, as qtd. in Demaagd, 2.
5 Ibid., 31.
6 Ibid.,31. While William Faulkner is not explicitly mentioned, the use of synesthesia in The Sound of the Fury represents the most salient example of the time period’s fascination with the perceived connection between synesthesia and conceptions of imbecility.
7 Ibid., 31.
8 Ibid., 35–6.
9 Ibid., 41.
10 Ibid., 59.
11 Ibid., 76.
12 Ibid., 77.
13 Ibid., 92.
14 Ibid., 114–5.
15 Ibid., 95.
16 Ibod., 101.
17 Ibid., 130.
18 Ibid., 136.
19 Ibid., 43.