Publication Cover
Angelaki
Journal of the Theoretical Humanities
Volume 28, 2023 - Issue 5
294
Views
0
CrossRef citations to date
0
Altmetric
Articles

The Work of Art in the Age of Transmedia Production (With Regards to Walter Benjamin)

bibliography

  • Anable, Aubrey. Playing with Feelings: Video Games and Affect. U of Minnesota P, 2018.
  • @paddingtonbear. “I do hope Mr Kane won’t be too upset when he hears I’ve overtaken him with rotten tomatoes.” Twitter, 28 Apr. 2021, 9:41 a.m., twitter.com/paddingtonbear/status/1387401587367325704.
  • Baudrillard, Jean. America. Translated by Chris Turner, Verso, 1988.
  • Benjamin, Walter. “The Work of Art in the Age of Its Technological Reproducibility.” Translated by Edmund Jephcott and Harry Zohn. The Work of Art in the Age of Its Technological Reproducibility and Other Writings on Media, edited by Michael W. Jennings et al., Harvard UP, 2008, pp. 19–55.
  • Berman, Marshall. All that is Solid Melts into Air: The Experience of Modernity. Penguin, 1988.
  • Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso, 2012.
  • Bogost, Ian. How to Talk About Video Games. U of Minnesota P, 2015.
  • Bordwell, David, et al. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Columbia UP, 1985.
  • Bourriaud, Nicholas. Relational Aesthetics. Le Presses du Réel, 2002.
  • Brooks, Daphne A. Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. Harvard UP, 2021.
  • Buckley, David. Strange Fascination: David Bowie, the Definitive Story. Revised ed., Virgin, 2005.
  • Bukatman, Scott. Black Panther. U of Texas P, 2022.
  • Butler, Judith. Antigone’s Claim: Kinship Between Life and Death. Columbia UP, 2000.
  • Chun, Wendy Hui Kyong. Updating to Remain the Same: Habitual New Media. MIT Press, 2016.
  • Connor, J.D. The Studio After the Studios: Neoclassical Hollywood (1970–2010). Stanford UP, 2015.
  • Coviello, Peter. “Anthony and Carmela Get Vaccinated.” Los Angeles Review of Books, 19 Apr. 2021, www.lareviewofbooks.org.
  • Crimp, Douglas. On the Museum’s Ruins. MIT Press, 1995.
  • DeLillo, Don. White Noise. Penguin, 1999.
  • Didion, Joan. The White Album. Farrar, Straus, and Giroux, 1990.
  • Faughnder, Ryan. “How ‘Sonic the Hedgehog’ Director Saved the Movie from Internet Backlash.” Los Angeles Times, 14 Feb. 2020, www.latimes.com.
  • Gates, Bill. How to Avoid a Climate Disaster: The Solutions We Have and the Breakthroughs We Need. Knopf, 2021.
  • Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Verso, 1993.
  • “Google Books History.” Google Books, 6 Feb. 2016, web.archive.org/web/20160206043510/http://books.google.com/googlebooks/about/history.html. Accessed 11 May 2021.
  • Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Indiana UP, 1986.
  • Jameson, Fredric. Postmodernism, or, the Cultural Logic of Late Capitalism. Duke UP, 1990.
  • Jenkins, Henry. Convergence Culture: Where Old and New Media Collide. New York UP, 2006.
  • Jennings, John, and Stacey Robinson. Black Kirby: In Search of the Motherboxx Connection. Black Kirby Collective, 2013.
  • Joselit, David. After Art. Princeton UP, 2013.
  • Kidman, Shawna. Comic Books Incorporated: How the Business of Comics Became the Business of Hollywood. U of California P, 2019.
  • Krauss, Rosalind. “Reinventing the Medium.” Critical Inquiry, vol. 25, no. 2, Winter 1999, pp. 289–305.
  • “List of Highest-Grossing Media Franchises.” Wikipedia, 14 July 2022, en.wikipedia.org/wiki/List_of_highest-grossing_media_franchises.
  • Lotz, Amanda D. Portals: A Treatise on Internet-Distributed Television. U of Michigan P, 2017, quod.lib.umich.edu/m/maize/mpub9699689/.
  • Mantel, Hilary. “Why I Became a Historical Novelist.” The Guardian, 3 June 2017, www.theguardian.com.
  • Marx, Karl, and Friedrich Engels. Manifesto of the Communist Party. 1848. Marxists Internet Archive, www.marxists.org/archive/marx/works/1848/communist-manifesto/index.htm.
  • McCloud, Scott. Understanding Comics: The Invisible Art. HarperPerennial, 1994.
  • McLuhan, Marshall. Understanding Media: The Extensions of Man. MIT Press, 1994.
  • McLuhan, Marshall, and Quentin Fiore. The Medium is the Massage. Gingko P, 2001.
  • Moore, Alan, et al. Watchmen. DC Comics, 1987.
  • Mulvey, Laura. Citizen Kane. 2nd ed., BFI, 2012.
  • Ngai, Sianne. Our Aesthetic Categories: Zany, Cute, Interesting. Harvard UP, 2012.
  • Ngai, Sianne. Theory of the Gimmick: Aesthetic Judgment and Capitalist Form. Harvard UP, 2020.
  • Salter, Anastasia, and Bridget Blodgett. Toxic Geek Masculinity in Media: Sexism, Trolling, and Identity Policing. Palgrave Macmillan, 2017.
  • Scorsese, Martin. “I Said Marvel Movies Aren’t Cinema: Let Me Explain.” New York Times, 4 Nov. 2019, www.nytimes.com.
  • Srnicek, Nick. Platform Capitalism. Polity Press, 2017.
  • Tufekci, Zeynep. Twitter and Tear Gas: The Power and Fragility of Networked Protest. Yale UP, 2017.
  • Varnedoe, Kirk, and Adam Gopnik. High & Low: Modern Art and Popular Culture. MoMA / Abrams, 1990.
  • Woo, Benjamin. Getting a Life: The Social Worlds of Geek Culture. McGill-Queen’s UP, 2018.
  • Zuromskis, Catherine. Snapshot Photography: The Lives of Images. MIT Press, 2013.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.