References
- Amin, N. 2020. ‘Aida’s legacy of de-/colonizing music theatre in Egypt: The example of the Cairo Opera House’, ‘Opera and music theatre’, African Theatre, vol. 19, C. Matzke, C. Odhiambo, H. Roos and L. van der Hoven (eds.), Suffolk, UK and Rochester, NY, James Currey, pp. 90–106.
- Fourie, W. 2020. ‘Book Review: ‘Naomi André, Donato Somma and Innocentia Jabulisile Mhlambi, eds, Special Cluster: ‘New Voices in Black South African Opera’, African Studies vol. 75, no. 1’, ‘Opera and music theatre’, African Theatre, vol. 19, C. Matzke, C. Odhiambo, H. Roos and L. van der Hoven (eds.), Suffolk, UK and Rochester, NY, James Currey, pp. 258–262.
- Ndodana-Breen, B., 2017. PhD composition portfolio. Grahamstown: Rhodes University.
- Odhiambo, C. 2020. ‘Book Review: Angelo Gobbato: A Passion for Opera’, ‘Opera and music theatre’, African Theatre, vol. 19, C. Matzke, C. Odhiambo, H. Roos and L. van der Hoven (eds.), Suffolk, UK and Rochester, NY, James Currey, pp. 240–242.
- Odhiambo, C. 2020. ‘Book Review: Musa Ngqungwana, Odyssey of an African Opera Singer‘, ‘Opera and music theatre’, African Theatre, vol. 19, C. Matzke, C. Odhiambo, H. Roos and L. van der Hoven (eds.), Suffolk, UK and Rochester, NY, James Currey, pp. 245–247.
- Van der Hoven, L. and Maasdorp, L. 2020. ‘ ‘Opera is an art form for everyone’: Black empowerment in the South African opera adaptations of Unogumbe (2013) and Breathe – Umphefumlo (2015)’, ‘Opera and music theatre’, African Theatre, vol. 19, C. Matzke, C. Odhiambo, H. Roos and L. van der Hoven (eds.), Suffolk, UK and Rochester, NY, James Currey, pp. 77–89.