Borrowed soundtracks: adopting the global history approach to the study of connectedness in film history

References

• Arslan, Savaş. 2011. Cinema in Turkey: A New Critical History. 1st ed. Oxford, New York: Oxford University Press.
   Google Scholar
• Biltereyst, Daniel, Richard Maltby, and Philippe Meers, eds. 2012. Cinema, Audiences and Modernity: New Perspectives on European Cinema History. London: Routledge.
   Google Scholar
• Biltereyst, Daniel, Richard Maltby, and Philippe Meers, eds. 2020. The Routledge Companion to New Cinema History. New York: Routledge.
   Google Scholar
• Biltereyst, Daniel, and Philippe Meers. 2020. “Comparative, Entangled, Parallel and ‘Other Cinema Histories. Another Reflection on the Comparative Mode within New Cinema History.’ TMG Journal for Media History 23 (1–2): 1–9. https://doi.org/10.18146/tmg.795.
   Google Scholar
• Biltereyst, Daniel, Philippe Meers, P. Ercole, D. T. Gennari, S. Dibeltulo, and L. Van de Vijver. 2016. “New Cinema History and the Comparative Mode: Reflections on Comparing Historical Cinema Cultures.” Alphaville: Journal of Film and Screen Media 11:13–32. https://doi.org/10.33178/alpha.11.01.
   Google Scholar
• Butsch, Richard. 2019. Screen Culture: A Global History. Cambridge: Polity Press.
   Google Scholar
• Cohen, Daniel J., and Roy Rosenzweig. 2006. Digital History: A Guide to Gathering, Preserving, and Presenting the Past on the Web. Philadelphia: University of Pennsylvania Press.
   Google Scholar
• Conrad, Sebastian. 2016. What Is Global History? Princeton, Oxford: Princeton University Press.
   Google Scholar
• Conrad, Sebastian, and Sachsenmaier. Dominic. 2007. “Introduction.” In Competing Visions of World Order: Global Moments and Movements, 1880s-1930s, edited by Sebastian Conrad and Dominic Sachsenmaier, 1–27. New York: Palgrave Macmillan.
   Google Scholar
• Crosby, Alfred W. 1986. In Ecological Imperialism: The Biological Expansion of Europe, 900-1900. Cambridge: Cambridge Univ. Press Cambridge.
   Google Scholar
• Crossley, Pamela Kyle. 2008. What Is Global History? Cambridge: Polity Press.
   Google Scholar
• Diamond, Jared. 1997. Guns, Germs, and Steel : The Fates of Human Societies. New York: W.W. Norton New York.
   Google Scholar
• Erdoğan, Nezih, and Deniz Göktürk. 2001. “Turkish Cinema.” In Companion Encyclopedia of Middle Eastern and North African Film, edited by Oliver Leaman, 531–571. London: Routledge.
   Google Scholar
• Ezra, Elizabeth, and Terry Rowden. 2006. Transnational Cinema: The Film Reader In Focus–Routledge Film Readers. London: Routledge London.
   Google Scholar
• Ezra, E., and Rowden. Terry. 2006. “General Introduction: What Is Transnational Cinema?” In Transnational Cinema: The Film Reader, edited by Elizabeth Ezra and Terry Rowden, 1–12. Focus–Routledge Film Readers London: Routledge London.
   Google Scholar
• Ferro, Marc. 2005. Colonization: A Global History, Translated by K.D. Prithipaul. London: Routledge.
   Google Scholar
• Gürata, Ahmet. 2006. “Translating Modernity: Remakes in Turkish Cinema.” In Asian Cinemas: A Redar and Guide, edited by Dimitris Eleftheriotis and Gary Needham, 242–254. Edinburgh: Edinburgh University Press.
   Google Scholar
• Kaya Mutlu, Dilek. 2005. “The Midnight Express (1978) Phenomenon and the Image of Turkey.” Historical Journal of Film, Radio and Television 25 (3): 475–496. https://doi.org/10.1080/01439680500236581.
   Web of Science ®Google Scholar
• Kırel, Serpil. 2005. Yeşilçam Öykü Sineması. İstanbul: Babil Yayıncılık.
   Google Scholar
• Maltby, Richard, Daniel Biltereyst, and Philippe Meers, eds. 2011. Explorations in New Cinema History: Approaches and Case Studies. Malden: Wiley-Blackwell.
   Google Scholar
• McNeill, William Hardy. 1976. Plagues and Peoples. Harmondsworth: Penguin Harmondsworth.
   Google Scholar
• Mikhail, Alan. 2015. “Ottoman Iceland: A Climate History.” Environmental History 20 (2): 262–284. https://doi.org/10.1093/envhis/emv006.
   Web of Science ®Google Scholar
• Rawle, Steven. 2018. Transnational Cinema : An Introduction. London: Palgrave London.
   Google Scholar
• Şavk, Serkan. 2023. “How Social Media Platforms Replace Film Archives When There Are No Archives.” In Exploring Past Images in a Digital Age: Reinventing the Archive, edited by Nezih Erdoğan and Ebru Kayaalp, 57–76. Framing Film. Amsterdam: Amsterdam University Press. https://doi.org/10.2307/jj.5076337.7.
   Google Scholar
• Shaw, Deborah. 2013. “Deconstructing and Reconstructing ‘Transnational Cinema.’ In Contemporary Hispanic Cinema: Interrogating Transnationalism in Spanish and Latin American Film, edited by Stephanie Dennison, 47–66. Woodbridge: Tamesis.
   Google Scholar
• Shaw, Deborah. 2018. “Transnational Cinemas: Mapping a Field of Study.” In The Routledge Companion to World Cinema, edited by Rob Stone, Paul Cooke, Stephanie Dennison, and Alex Marlow-Mann, 290–298. Routledge Companions London: Routledge. https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1606524.
   Google Scholar
• Shaw, Deborah, Armida De La Garza, D. Shaw, and A. de la Garza. 2010. “Introducing Transnational Cinemas.” Transnational Cinemas 1 (1): 3–6. https://doi.org/10.1386/trac.1.1.3/2.
   Google Scholar
• Smith, Iain Robert. 2016. “Cowboys and Indians: Transnational Borrowings in the Indian Masala Western.” In Spaghetti Westerns at the Crossroads: Studies in Relocation, Transition and Appropriation, edited by Austin Fisher, 185–210. Edinburgh: Edinburgh University Press.
   Google Scholar
• ‘Upcoming Conferences and Symposia’. 2003. “SMT Newsletter: A Publication of the Society for Music Theory.” 26 (1): 15–16.
   Google Scholar
• Wenzlhuemer, Roland. 2020. Doing Global History: An Introduction in 6 Concepts, Translated by Ben Kamis. London and New York: Bloomsbury Publishing.
   Google Scholar
• Wojcik, Pamela Robertson, and Arthur Knight, eds. 2001. Soundtrack Available: Essays on Film and Popular Music. Durham and London: Duke University Press.
   Google Scholar