704
Views
0
CrossRef citations to date
0
Altmetric
Research Article

The cultural dissonance of sustainable live music

, &
Received 22 Oct 2023, Accepted 19 Jan 2024, Published online: 09 Feb 2024

References

  • Beljean, Stefan, Phillipa Chong, and Michèle Lamont. 2015. “A Post-Bourdieusian Sociology of Valuation and Evaluation for the Field of Cultural Production.” In Routledge International Handbook of the Sociology of Art and Culture, edited by Laurie Hanquinet and Mike Savage. London: Routledge.
  • Bourdieu, Pierre. 1993. The Field of Cultural Production: Essays on art and Literature. Cambridge: Polity Press.
  • Bourdieu, Pierre. 1996. The Rules of art: Genesis and Structure of the Literary Field, Les règles de l'art. Cambridge: Polity Press.
  • Bourdieu, Pierre. 2011. “The Forms of Capital.” In Cultural theory: An Anthology, edited by Imre Szeman and Timothy Kaposy, 81–93. Malden, Mass.: Wiley-Blackwell.
  • Brennan, Matt, Jo Collinson Scott, Angela Connelly, and Gemma Lawrence. 2019. “Do Music Festival Communities Address Environmental Sustainability and how? A Scottish Case Study.” Popular Music 38 (2): 252–275. https://doi.org/10.1017/S0261143019000035
  • Brooks, Jeremy S, and Charlie Wilson. 2015. “The Influence of Contextual Cues on the Perceived Status of Consumption-Reducing Behavior.” Ecological Economics 117: 108–117. https://doi.org/10.1016/j.ecolecon.2015.06.015
  • Brown, Carroll A. 2007. “The Carolina Shaggers: Dance as Serious Leisure.” Journal of Leisure Research 39 (4): 623–647. https://doi.org/10.1080/00222216.2007.11950125.
  • Carfagna, Lindsey B, Emilie A Dubois, Connor Fitzmaurice, Monique Y Ouimette, Juliet B Schor, Margaret Willis, and Thomas Laidley. 2014. “An Emerging eco-Habitus: The Reconfiguration of High Cultural Capital Practices among Ethical Consumers.” Journal of Consumer Culture 14 (2): 158–178. https://doi.org/10.1177/1469540514526227
  • Corner, Adam, Olga Roberts, Sybille Chiari, Sonja Völler, Elisabeth S. Mayrhuber, Sylvia Mandl, and Kate Monson. 2015. “How do Young People Engage with Climate Change? The Role of Knowledge, Values, Message Framing, and Trusted Communicators.” WIRES Climate Change 6 (5): 523–534. https://doi.org/10.1002/wcc.353
  • Eggebø, Helga. 2020. “Kollektiv kvalitativ Analyse.” Norsk Sosiologisk Tidsskrift 4 (2): 106–122. https://doi.org/10.18261/issn.2535-2512-2020-02-03
  • Festinger, Leon. 1962. A Theory of Cognitive Dissonance. Reissue. ed. Stanford, Calif: Stanford University Press.
  • Geerts, Robbe, Frédéric Vandermoere, and Stijn Oosterlynck. 2023. “Culture and Green Tastes. A Sociological Analysis of the Relationship Between Cultural Engagement and Environmental Practices.” Poetics 97: 101768. https://doi.org/10.1016/j.poetic.2023.101768
  • Gibson, Chris, and John Connell. 2011. “Culturing Commitment: Serious Leisure and the Folk Festival Experience.” In Festival places: revitalising rural Australia, edited by Chris Gibson and John Connell. United Kingdom: Channel View Publications, Limited.
  • Heian, Mari Torvik, Knut Løyland, and Bård Kleppe. 2015. Kunstnerundersøkelsen 2013. Kunstnernes inntekter. Bø: Telemarksforsking
  • Jarness, Vegard, and Maud Lauvstad Hansen. 2018. “Grønne grenser.” Norsk sosiologisk tidsskrift 2 (3): 208–224. https://doi.org/10.18261/issn.2535-2512-2018-03-02
  • Johnson, Mark, and Suzanne Clisby. 2009. “Naturalising Distinctions: The Contested Field of Environmental Relations in Costa Rica.” Landscape Research 34 (2): 171–187. https://doi.org/10.1080/01426390802390517
  • Krarup, Troels. 2022. “The Politics of the Urban Green: Class, Morality and Attachments to Place.” The Sociological Review 70 (6): 1119–1140. https://doi.org/10.1177/00380261221083792
  • Laidley, Thomas. 2013. “Climate, Class and Culture: Political Issues as Cultural Signifiers in the US.” The Sociological Review 61 (1): 153–171. https://doi.org/10.1111/1467-954X.12008
  • Langseth, Tommy, and Adam Vyff. 2021. “Cultural Dissonance: Surfers’ Environmental Attitudes and Actions.” Frontiers in Sports and Active Living 3 (252).
  • Lavergne, Karine J, and Luc G Pelletier. 2015. “Predicting Individual Differences in the Choice of Strategy to Compensate for Attitude-Behaviour Inconsistencies in the Environmental Domain.” Journal of Environmental Psychology 44: 135–148. https://doi.org/10.1016/j.jenvp.2015.10.001
  • Mair, Judith, and Jennifer Laing. 2012. “The Greening of Music Festivals: Motivations, Barriers and Outcomes.” Applying the Mair and Jago Model.” Journal of Sustainable Tourism 20 (5): 683–700.
  • Mangset, Per. 1998. “The Artist in Metropolis: Centralisation Processes and Decentralisation in the Artistic Field.” International Journal of Cultural Policy 5 (1): 49–74. https://doi.org/10.1080/10286639809358089
  • Molnár, Virág. 2018. “The Business of Urban Coolness: Emerging Markets for Street art.” Poetics (Amsterdam) 71: 43–54. https://doi.org/10.1016/j.poetic.2018.09.006
  • Mouriquand, David. 2023. “Fix You: Coldplay’s eco-Friendly Tour Reduces Band’s Carbon Emissions by Nearly Half.” In Euronews Culture. https://www.euronews.com/culture/2023/06/05/fix-you-coldplays-eco-friendly-tour-reduces-bands-carbon-emissions-by-nearly-half.
  • Noppers, Ernst H, Kees Keizer, Jan Willem Bolderdijk, and Linda Steg. 2014. “The Adoption of Sustainable Innovations: Driven by Symbolic and Environmental Motives.” Global Environmental Change 25: 52–62. https://doi.org/10.1016/j.gloenvcha.2014.01.012
  • Oakley, Kate, and Jonathan Ward. 2018. “The art of the Good Life: Culture and Sustainable Prosperity.” Cultural Trends 27 (1): 4–17. https://doi.org/10.1080/09548963.2018.1415408.
  • O'Rourke, Stephanie, David Irwin, and Jo Straker. 2011. “Dancing to Sustainable Tunes: An Exploration of Music Festivals and Sustainable Practices in Aotearoa.” Annals of Leisure Research 14 (4): 341–354. https://doi.org/10.1080/11745398.2011.639383.
  • Robertson, Martin, and Ian Yeoman. 2014. “Signals and Signposts of the Future: Literary Festival Consumption in 2050.” Tourism Recreation Research 39 (3): 321–342. https://doi.org/10.1080/02508281.2014.11087004.
  • Rokkan, Stein, Bernt Hagtvet, and Lars Alldén. 1987. Stat, nasjon, klasse : essays i politisk sosiologi, Det Blå bibliotek. Oslo: Universitetsforl.
  • Rossetti, Giulia, and Bernadette Quinn. 2023. “The Value of the Serious Leisure Perspective in Understanding Cultural Capital Embodiment in Festival Settings.” The Sociological Review 71 (3): 526–543. https://doi.org/10.1177/00380261221108589
  • Røyseng, Sigrid, and Heidi Stavrum. 2020. “Fields of Gold: Reflections on the Research Relations of the Cultural Policy Researcher.” International Journal of Cultural Policy 26 (5): 697–708. http://doi.org/10.1080/10286632.2019.1643335.
  • Røyseng, Sigrid, and Heidi Stavrum. 2022. “Synlighet som karriereressurs for musikere.” In Musikerne, bransjen og samfunnet, edited by Sigrid Røyseng, Heidi Stavrum, and John Vinge. Oslo: Cappelen Damm Akademisk.
  • Røyseng, Sigrid, Heidi Stavrum, and John Vinge. 2022. Musikerne, bransjen og samfunnet. Oslo: Cappelen Damm Akademisk.
  • Savage, Mike, and Elizabeth B. Silva. 2013. “Field Analysis in Cultural Sociology.” Cultural Sociology 7 (2): 111–126. https://doi.org/10.1177/1749975512473992
  • Solhjell, Dag, and Jon Øien. 2012. Det norske kunstfeltet : en sosiologisk innføring. Oslo: Universitetsforl.
  • Stavrum, Heidi, and Sigrid Røyseng. 2022. “Musikerroller og grensedragninger i musikkarbeidsmarkedet.” In Musikerne, bransjen og samfunnet, edited by Sigrid Røyseng, Heidi Stavrum, and John Vinge, 23–48. Oslo: Cappelen Damm akademisk.
  • Stebbins, Robert A. 1992. Amateurs, Professionals and Serious Leisure. Montreal, Buffalo: McGill-Queen's University Press.
  • Stebbins, Robert A. 2013. The Committed Reader: Reading for Utility, Pleasure, and Fulfillment in the Twenty-First Century. Lanham: Scarecrow Press, Inc.
  • Swidler, Ann. 2001. “What Anchors Cultural Practices.” In The Practice Turn in Contemporary Theory, edited by Theodore R. Schatzki, Karin Knorr Cetina, and Eike von Savigny, 83–101. New York: Routledge.
  • Vinge, John, Sigrid Røyseng, Guro Utne Salvesen, and Simen Skrebergene. 2022. “Musikerne og klimakrisen.” In Musikerne, bransjen og samfunnet, edited by Sigrid Røyseng, Heidi Stavrum, and John Vinge, 247–265. Oslo: Cappelen Damm Akademisk.