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Research Article

João de Deus’s musical perversions: a case study on the music and sexuality in two films by João César Monteiro

José Pintoa INET-md, NOVA University, Lisbon, PortugalCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0002-6454-7123View further author information
ORCID Icon &
Margarida Medeirosb ICNOVA, NOVA University, Lisbon, PortugalView further author information
Published online: 28 Feb 2024

References

  • Altman, R. 1992. ”General Introduction: Cinema as Event”. In Sound Theory, Sound Practice, 1–14. New York: Routledge.
  • Buhler, J., D. Neumeyer, R. Deemer. 2010. Hearing the Movies: Music and Sound in Film History. Oxford: Oxford University Press.
  • Chion, M. 1994. Audio-vision: Sound on Screen. Translated from the French by C. Gorbman. Columbia: Columbia University Press.
  • Clark, C., ed. 2005. The Cambridge Companion to Haydn. Cambridge and New York: Cambridge University Press.
  • Cook, N. 2000. Analysing Musical Multimedia. Oxford: Clarendon Press.
  • Cunha, P. 2010. Decadência, Regeneração e utopia em João César Monteiro. P: Portuguese Cultural Studies 3: 43–60.
  • Cunha, P. 2018. Uma nova história do Novo cinema português. Lisbon: Outro Modo/Le Monde Diplomatique.
  • Evans, O., and G. Harper. 2022. A lot of soundtracks are quite boring. Studies in European Cinema 19, no. 2: 93–95. doi:10.1080/17411548.2022.2074958.
  • Freud, S. 1953. Three essays on sexuality. In: A case of Hysteria; three essays on sexuality and other works (1901-1905), Edited by J., Strachey, 135–243. London: The Hogarth Press, Institute of Psycho-analysis.
  • Freud, S. 1955. Beyond the pleasure principle. In: Beyond the pleasure Principle, group psychology and other works (1920-1922), Edited by J. Strachey, 7–64. London: The Hogarth Press, Institute of Psycho-analysis.
  • Freud, S. 1961. Fetishism. In: The future of an Illusion; civilisation and its discounters and other works (1927-1931), Edited by J. Strachey, 152–157. London: The Hogarth Press, Institute of Psycho-analysis.
  • Godsall, J. 2019. Reeled In: Pre-existing Music in Narrative Film. London: Routledge.
  • Gorbman, C. 1987. Unheard Melodies: Narrative Film Music. Bloomington, Indiana: Indiana University Press.
  • Haute, P., and H. Westerink. 2020. Reading Freud’s Three Essays on Theory of Sexuality. London: Routledge.
  • Lacan, J. 1995. O Seminário, Livro 4: A Relação de Objeto. translated by D. D. Estrada. Rio de Janeiro: Zahar.
  • Martins, F. C. 2003. Interview with Fernando Cabral Martins. In As Bodas de Deus (Bonus Features), DVD, Lisbon: Madragoa Films.
  • Monelle, R. 2000. The sense of music: Semiotic essays. Princeton, N.J: Princeton University Press.
  • Monteiro, J.C. 1989. Recordações da casa amarela. Planificação e sinopse.
  • Monteiro, J.C. 2005. Entrevista com um vampiro: entrevista com João César Monteiro por Pierre Hodgson. In João César Monteiro, ed. J. Nicolau, 419–429. Lisbon: Cinemateca Portuguesa - Museu do Cinema.
  • Monteiro, P.F. 1995. Autos da alma: os guiões de ficção do cinema português entre 1961 e 1990. PhD Thesis., Faculdade de Ciências Sociais e Humanas – Universidade Nova de Lisboa, Lisbon.
  • Muga, H. 2015. O imaginário na obra cinematográfica de João César Monteiro. PhD Thesis., Universidade Fernando Pessoa, Porto.
  • Pinto, J.M. 2021. A música e o som na Trilogia de Deus de João César Monteiro. Master’s Dissertation., Faculdade de Ciências Sociais e Humanas - Universidade Nova de Lisboa, Lisb.
  • Saul, N. 2009 Love, death, and Liebestod in German Romanticism. In The Cambridge Companion to German Romanticism. Cambridge companions to literature, ed. N. Saul, 163–174. Cambridge, UK; New York: Cambridge University Press.
  • Scruton, R. 2004. Death-devoted heart sex and the sacred in Wagner’s Tristan and Isolde. Oxford; New York: Oxford University Press.
  • Sisman, E.R. 1990. Haydn’s theater symphonies. Journal of the American Musicological Society 43, no. 2: 292–352. doi:10.2307/831616.

Filmography

  • João César Monteiro. Quem espera por sapatos de defunto morre descalço (1969) Fundação Calouste Gulbenkian.
  • João César Monteiro Recordações da Casa Amarela (1989) Invicta films
  • João César Monteiro. A comédia de Deus (1995) GER - Grupo de Estudos e Realizações.
  • João César Monteiro As Bodas de Deus (1999) Madragoa Filmes, RTP, Gemini Films.
  • João César Monteiro Vai e vem (2003) Gemini Films, Madragoa Filmes.
  • Murnau. Nosferatu (1922) Prana-Film.
  • Wim Wenders. Paris Texas (1984) Road Movies, Filmproduktion GmbH, Argos Films S.A.
  • Music Scores
  • João César Monteiro. 1997. Le Bassin de J. W. Euripide Productions, Fábrica de Imagens.
  • Haydn, J. 1907. Symphony No. 49 in f minor (‘La passione’). Leipzig: Breitkopf & Härtel.
  • Schubert, F. 1895. Der Hirt Auf Dem Felsen. Leipzig: Breitkopf & Härtel.
  • Wagner, R. 1860. Tristan und Isolde. Leipzig: Breitkopf & Härtel.

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