The impacts of ethnic and mainstream culture on Māori-themed films

References

• Adah, Anthony. 2001. “Post-and Re-Colonizing Aotearoa Screen: Violence and Identity in Once Were Warriors and What Becomes of the Broken Hearted?” Film Criticism 25 (3): 46–58. 70.
   Web of Science ®Google Scholar
• Alfred, Taiaiake. 2009. Wasáse: Indigenous Pathways of Action and Freedom. Peterborough: Broadview Press.
   Google Scholar
• Baugh, Scott L. 2003, Summer. “Changing of the Guard: Pinche Pintas and ‘Family’/Familia in Contemporary Chicano Film.” Journal of Film and Video 55 (2)): 3–21.
   Web of Science ®Google Scholar
• Berghahn, Daniela. 2013. Far-flung Families in Film: The Diasporic Family in Contemporary European Cinema. Edinburgh: Edinburgh University Press.
   Google Scholar
• Bhabha, Homi. 1994. The Location of Culture. London: Routledge.
   Google Scholar
• Bowers, Maggie Ann. 2017. “Literary Activism and Violence Against Native North American Women.” Wasafiri 32 (2): 48–53. https://doi.org/10.1080/02690055.2017.1294364.
   Web of Science ®Google Scholar
• Brown, Ruth. 1999. “Closing the Gaps: ‘once Were Warriors’ from Book to Film and Beyond.” Journal of New Zealand Literature 17: 141–155.
   Google Scholar
• Crothers, Lane. 2006. “Globalization and the Representation of Gender in American Popular Culture.” The International Journal of Diversity in Organizations, Communities, and Nations: Annual Review 5 (6): 47–56. https://doi.org/10.18848/1447-9532/CGP/v05i06/39168.
   Google Scholar
• De Souza, Pascale. 2007. “Maoritanga in Whale Rider and Once Were Warriors: A Problematic Rebirth Through Female Leaders.” Studies in Australasian Cinema 1.1 (1): 15–27.F. https://doi.org/10.1386/sac.1.1.15_1.
   Google Scholar
• Duff, Alan. 1990. Once Were Warriors (1st ed.). Auckland: Tandem Press.
   Google Scholar
• Duff, Alan. 1994. Once Were Warriors. Queensland: University of Queensland Press.
   Google Scholar
• Dunleavy, Trisha, and Hester Joyce. 2011. New Zealand Film and Television: Institution, Industry and Cultural Change. Bristol: Intellect.
   Google Scholar
• Gilbert, Jarrod. 2013. Patched. The History of Gangs in New Zealand. Auckland: Auckland University Press.
   Google Scholar
• Hardy, Ann. 2008. “Beyond Materialism?: Spirituality and Neo-Utopian Sensibility in Recent New Zealand Film.” In In Contemporary New Zealand Cinema, edited by Ian Conrich and Stuart Murray, 119–134. London: I.B. Tauris.
   Google Scholar
• Hare, Jan, Jo-ann Archibald, Karlee Fellner, and Dorothy Christian. 2011. “Editorial: Indigenous Youth as the New Warriors.” Canadian Journal of Native Education 34 ((1): 1-6): 103.
   Google Scholar
• Hillenbrand, Margaret. 2008. “Of Myths and Men: Better Luck Tomorrow and the Mainstreaming of Asian America Cinema.” Cinema Journal 47 (4): 50–75. https://doi.org/10.1353/cj.0.0024.
   Web of Science ®Google Scholar
• Hogan, Marjorie J. 2005. “Adolescents and Media Violence: Six Crucial Issues for Practitioners.” Adolescent Medicine Clinics 16 (2) (2) (06): 249-268, vii. https://doi.org/10.1016/j.admecli.2005.02.008
   PubMedGoogle Scholar
• Hokowhitu, Brendan. 2004. “Tackling Maori Masculinity: A Colonial Genealogy of Savagery and Sport.” The Contemporary Pacific 16 (2): 259–284. https://doi.org/10.1353/cp.2004.0046.
   Web of Science ®Google Scholar
• Hokowhitu, Brendan. 2008. “The Death of Koro Paka: "traditional" Māori Patriarchy.” The Contemporary Pacific 20 (1): 115–141. https://doi.org/10.1353/cp.2008.0000.
   Web of Science ®Google Scholar
• Houkamau, Carla Anne. 2010. “Identity Construction and Reconstruction: The Role of Socio-Historical Contexts in Shaping Māori Women’s Identity.” Social Identities 16 (2): 179–196. https://doi.org/10.1080/13504631003688872.
   Google Scholar
• IMDb. 2017. “Taika Waititi. Biography.” IMDb. Accessed 15, December 2017. http://www.imdb.com/name/nm0169806/bio.
   Google Scholar
• Jones, Stan. 2003. “Siting Whale Rider: A Survey of its Reception in a European Context.” British Review of New Zealand Studies 14: 61–83.
   Google Scholar
• Joyce, Hester. 2009. “Out from Nowhere: Pakeha Anxieties in Ngati (Barclay, 1987), Once Were Warriors (Tamahori, 1994) and Whale Rider (Caro, 2002) (Barclay, 1987), Once Were Warriors (Tamahori, 1994) and Whale Rider (Caro, 2002).” Studies in Australasian Cinema 3.3 (3): 239–250. https://doi.org/10.1386/sac.3.3.239_1.
   Google Scholar
• Joyce, Hester. 2013. “Taonga (Cultural Treasures): Reflections on Māori Storytelling in the Cinema of Aoteraoa/New Zealand.” In In Storytelling in World Cinemas, edited by Lina Khatib, Vol. 2., 21–34. London: Wallflower Press.
   Google Scholar
• Keown, Michelle. 2008. “’He Iwi Kotahi Tatou?’: Nationalism and Identity in Māori Film.” In In Contemporary New Zealand Cinema, edited by Ian Conrich and Stuart Murray, 197–210. London: I.B. Tauris.
   Google Scholar
• Knabe, Susan and Wendy Gay Pearson. 2015. “Introduction: Globalizing Indigenous Film and Media.” Reverse Shots: Indigenous Film and Media in an International Context. Waterloo: Wilfrid Laurier University Press, 2015. 3-39.
   Google Scholar
• Kotek, Elliot V. 2014. “Cliff Curtis, James Napier Robertson, & James Rolleston Talk The Dark Horse at TIFF.” YouTube. Accessed 18 December, 2017. https://www.youtube.com/watch?v = _a-HmYc-J7c.
   Google Scholar
• Margolis, Harriet. 2011. “The Western, New Zealand History and Commercial Exploitation: The Te Kooti Trail, Utu and Crooked Earth.” In In New Zealand Cinema: Interpreting the Past, edited by Alistair Fox, Barry Keith Grant, and Hilary Radner, 83–97. Bristol: Intellect Books.
   Google Scholar
• Márquez, John D. 2012. “The Black Mohicans: Representations of Everyday Violence in Postracial Urban America.” American Quarterly 64 (3): 625–651. 681. https://doi.org/10.1353/aq.2012.0040
   Web of Science ®Google Scholar
• Martens, Emiel. 2012. “Maori on the Silver Screen.” International Journal of Critical Indigenous Studies 5 (1): 2–30. https://doi.org/10.5204/ijcis.v5i1.92.
   Google Scholar
• McDonald, Lawrence. 2001. “Adaptation and Sequel: The Limitations of ‘What Becomes of the Broken Hearted.” Film Criticism 25 (3): 37–45.
   Web of Science ®Google Scholar
• Moran, Albert, and Errol Vieth. 2009. The A to Z of Australian and New Zealand Cinema. The A to Z Guide Series, No. 48. Plymouth: The Scarecrow Press.
   Google Scholar
• Mortlock, Tarry. 2018. Broken. Auckland: City Impact Church and Origin Media.
   Google Scholar
• Murray, Stuart. 2008. Images of Dignity: Barry Barclay and Fourth Cinema. Wellington: Huia.
   Google Scholar
• Paris, Michael. 2000. Warrior Nation. Images of War in British Popular Culture, 1850-2000. London: Reaktion Books.
   Google Scholar
• Patta, Gig. 2016. “James Napier Robertson Interview for The Dark Horse.” YouTube. Accessed 15 December, 2017. https://www.youtube.com/watch?v = GG4OFTadx4A.
   Google Scholar
• Petrie, Duncan. 2010. “Cinema in a Settler Society.” In In Contemporary Approaches to Film and Media Series: Cinema at the Periphery, edited by Dina Iordanova, David Martin-Jones, and Belén Vidal, 67–83. Detroit: Wayne State University Press.
   Google Scholar
• Puente, Henry. 2013. “US Latino Films (1990-1995): A Three-Tiered Marketplace.” The Bilingual Review 31 (1): 51–70.
   Google Scholar
• Smith, Jo. 2012. “Shaking the Frame: Taika Waititi’s Anti-Anthropological Edge.” MEDIANZ: Media Studies Journal of Aotearoa New Zealand 13 (1): 66–76. https://doi.org/10.11157/medianz-vol13iss1id28.
   Google Scholar
• Smith, Angela Marie. 2020. “Children, Affect, and National Feelings: Shame in Taika Waititi’s Boy (2010).” Antipodes 34 (2): 329–345. https://doi.org/10.1353/apo.2020.0048.
   Google Scholar
• Tamahori, Lee, dir. 1994. Once Were Warriors. Auckland: Communicado Productions.
   Google Scholar
• Thompson, Kirsten Moana. 2003. “Once Were Warriors: New Zealand's First Indigenous Blockbuster.” In In Movie Blockbusters, edited by Julian Stringer, 230–241. London: Routledge.
   Google Scholar
• Thornley, Davinia. 2001. “’White, Brown or ‘Coffee’? Revisioning Race in Tamahori’s Once Were Warriors.” Film Criticism 25 (3): 22–36.
   Web of Science ®Google Scholar
• Waititi, Taika. 2010a. “The Art of Creativity.” TEDX Doha. YouTube. Accessed 15 December, 2017. https://www.youtube.com/watch?v = pL71KhNmnls.
   Google Scholar
• Waititi, Taika, dir. 2010b. Boy. Whenua Films and New Zealand Film Commission.
   Google Scholar